The Hundred Pound Window
| The Hundred Pound Window | |
|---|---|
| Directed by | Brian Desmond Hurst |
| Written by | Brock Williams Rodney Ackland (additional dialogue) |
| Story by | Mark Hellinger |
| Based on | a screenplay by Abem Finkel |
| Starring | Anne Crawford David Farrar Frederick Leister |
| Cinematography | Otto Heller |
| Music by | Hans May |
Production company | Warner Brothers-First National Productions |
| Distributed by | Warner Bros. (UK) |
Release date |
|
Running time | 84 minutes |
| Country | United Kingdom |
| Language | English |
| Budget | £64,464[1] |
| Box office | £54,748[1] |
The Hundred Pound Window is a 1944 British comedy crime film directed by Brian Desmond Hurst and starring Anne Crawford, David Farrar, Frederick Leister and Richard Attenborough.[2] It was written by Brock Williams, Rodney Ackland and Mark Hellinger, based on a screenplay by Abem Finkel. An accountant has to take a second job working at a racetrack, where he soon becomes mixed up with a shady crowd.
Plot
Cast
- Anne Crawford as Joan Draper
- David Farrar as George Graham
- Frederick Leister as Ernest Draper
- Mary Clare as Millie Draper
- Richard Attenborough as Tommy Draper
- Niall MacGinnis as Chick Slater
- David Hutcheson as Steve Halligan
- Claud Allister as Hon. Freddie
- Claude Bailey as John D. Humphries
- Hazel Bray as Cabaret Singer
- Peter Gawthorne as Van Rayden
- Anthony Hawtrey as Evans
- David Horne as Baldwin
- Francis Lister as Capt. Johnson
- Ruby Miller as Mrs. Remington
- Brefni O'Rorke as Kennedy
- John Salew as Walker
- John Slater as O'Neil
- C. Denier Warren as Blodgett
Production
It was shot at Teddington Studios, the home of Warner Brothers's British subsidiary.
Reception
The Monthly Film Bulletin wrote: "Director Hurst has made a bright slick comedy from a strong story ... in which the numerous twists of plot and incident are never allowed to become tortuous. Freely mixing exteriors and a wide variety of sets, he makes the most of contrast between home life, the city, the racecourse and 'crook' night life. To admirable casting he adds painstaking characterisation which wins from all his actors – a long list – an unusually high standard of work."[3]
Picturegoer wrote: "Best thing in this picture which it is hard to believe was directed by a man of the capability of Brian Desmond Hurst, is the acting of Frederick Leister as a clerk. In spite of the fact that he is made to appear too simple, he does present a sound characterization."[4]
Variety wrote: "Slickness of plot development suggests a faithful following of the original American script by Abem Finkel, but in every detail incident and atmosphere is as English as the Derby. ... With due consideration to wartime difficulties the casting of this one is little short of a triumph for the Warners' Teddington studio, even the smallest of the bits being filled perfectly. ... Direction by Brian Desmond Hurst, coupled with more than usually effective editing, keeps the story moving with a smooth swiftness all too rare in English movies."[5]
Leslie Halliwell wrote "Routine programmer notable only forgiving a leading role to an old character actor."[6]
See also
References
- ^ a b Chibnall, Steve (2019). "Hollywood-on-Thames: the British productions of Warner Bros. – First National, 1931–1945". Historical Journal of Film, Radio and Television. 39 (4): 14. doi:10.1080/01439685.2019.1615292.
- ^ "BFI | Film & TV Database | The Hundred Pound Window (1943)". BFI. Archived from the original on 14 January 2009. Retrieved 12 December 2025.
- ^ "The Hundred Pound Window". The Monthly Film Bulletin. 10 (109): 121. 1 January 1943. ProQuest 1305820316.
- ^ "The Hundred Pound Window". Picturegoer. 13: 12. 3 April 1944. ProQuest 1771184056.
- ^ "The Hundred Pound Window". Variety. 152 (13): 8. 8 December 1943. ProQuest 1285824075.
- ^ Halliwell, Leslie (1989). Halliwell's Film Guide (7th ed.). London: Paladin. p. 491. ISBN 0586088946.
External links