The Goldfinches of Baghdad
| Author | Robert Adamson |
|---|---|
| Language | English |
| Genre | Poetry collection |
| Publisher | Flood Editions |
Publication date | 2006 |
| Publication place | USA |
| Media type | |
| Pages | 103 pp. |
| Awards | 2007 Grace Leven Prize for Poetry, winner; 2007 The Age Book of the Year Poetry Prize, winner |
| ISBN | 0974690287 |
The Goldfinches of Baghdad is a collection of poems by Australian poet Robert Adamson, published by Flood Editions in USA in 2006.[1]
The collection contains 53 poems from a variety of sources.[2]
Contents
- "A Bend in the Euphrates"
- "A Visitation"
- "The Greenshank"
- "Whitling Kites"
- "Easter Fish"
- "The Voyage"
- "Walking by the River"
- "Eurydice and the Mudlark"
- "The Floating Head"
- "Eurydice Agape"
- "The Serpent"
- "Eurydice and the Tawny Frogmouth"
- "Singing His Head Off"
- "Eurydice after a Midnight Storm"
- "Letter to Eurydice"
- "Eurydice Combs Her Hair"
- "Eurydice on Fire"
- "Eurydice Reads 'Roots and Branches'"
- "Eurydice in Sydney"
- "Thinking of Eurydice at Midnight"
- "Symbolism"
- "Gang Gang Cockatoos"
- "Eclectus Parrot"
- "Major Mitchell's Pink Cockatoo"
- "Red Necked Avocet"
- "The Ruff"
- "Rainbow Bee-Eaters"
- "The Ravens : After Trakl"
- "The Peach-Faced Finches of Madagascar"
- "The Dollarbird"
- "The Cow Bird"
- "The Grey Whistler"
- "The Flag-Tailed Bird of Paradise"
- "The Goldfinches of Baghdad"
- "Fishing in a Landscape for Love"
- "Brahminy Kite"
- "The First Chance Was the Last Chance"
- "Powder Hulk Bay"
- "Winter Night"
- "Elegy from Balmoral Beach"
- "Memory Walks"
- "On Not Seeing Paul Cezanne"
- "Eventail : For Mery in Paris"
- "Elizabeth Bishop in Tasmania"
- "Letter to Robert Creeley"
- "Letter to Tom Raworth"
- "The Flow Through"
- "Not a Penny Sonnets"
- "The Apostlebird"
- "David Aspden's Red Theme"
- "David Aspden's Yellow Tree"
- "Flannel Flowers for Juno"
- "Reaching Light"
- "Brahminy Kite"
- "Gang Gang Cockatoos"
Critical reception
Writing in Australian Book Review Jaya Savige was impressed with the "shape" of this collection, noting: "As the culmination of forty years' experience, it is nothing short of a masterpiece." He continued: "As a collection, it is sublimely cohesive: from first to last, the correspondences between poems are considerably fecund. Less a series of songs than an organically realised symphony, the volume is replete with a masterful lyricism and a comprehensive, mythopoeic grandeur verging on an indigenous 'dreaming'."[3]
In The Weekend Australian reviewer Barry Hill called the collection "a marvel in several ways." He went on: "Some poems gesture, nostalgically, towards mortality, as well as ambivalently towards an earlier bohemian life; others allude to dislocations and possible reconciliations in matters of love; there is, too, a set of conceits about failures of utterance, a feeling belied by the poems themselves. But all of this is done with a deftness that avoids the reductive tedium of the merely biographical."[4]
Awards
- 2007 Grace Leven Prize for Poetry, winner[5]
- 2007 The Age Book of the Year Poetry Prize, winner[6]
- 2007 New South Wales Premier's Literary Awards – Kenneth Slessor Prize for Poetry, shortlisted[7]
See also
References
- ^ "The Goldfinches of Baghdad by Robert Adamson". National Library of Australia. Retrieved 13 September 2025.
- ^ "The Goldfinches of Baghdad by Robert Adamson". Austlit. Retrieved 13 September 2025.
- ^ ""The Goldfinches of Baghdad by Robert Adamson"". Australian Book Review, September 2006. 31 August 2006. Retrieved 13 September 2025.
- ^ ""Dissimilar takes on troubled times"". The Weekend Australian, 4 November 2006. ProQuest 356238310. Retrieved 13 September 2025.
- ^ "Austlit — Grace Leven Poetry Prize 2005-2007". Austlit. Retrieved 13 September 2025.
- ^ "Entitled to tell a story". The Age. 25 August 2007. Archived from the original on 26 January 2021. Retrieved 13 September 2025.
- ^ ""Bookmarks"". The Age, 28 April 2007. ProQuest 364035870. Retrieved 13 September 2025.