The Further Adventures of Tennessee Buck

The Further Adventures of Tennessee Buck (Sinhala: මිනීකන්නන්ගේ දේශය, lit. 'Land of the Killers')^[1] is a 1988 American-Sri Lankan adventure comedy film directed by and starring David Keith. It co-stars Kathy Shower, Brant von Hoffman and Sydney Lassick. In this send-up of adventure film tropes, a hard drinking pilot named "Tennessee" Buck Malone (Keith) is hired to escort a wannabe explorer (von Hoffman) and his high maintenance wife (Shower) through the hostile jungle of Borneo.

Barbara Manchester (Kathy Shower) is a stunning blonde American beauty and former Miss America, the dream of countless men. Yet the one who claimed her is her wealthy new husband, Ken Manchester (Brant Von Hoffman), a man who buys whatever he wants, including his trophy wife. When Ken announces he wants their honeymoon to include an African big-game safari, Barbara begins to question her choice in men. The macho thrill of hunting means nothing to her, but Ken is desperate to prove his prowess. With misgivings, she agrees.

In Africa, their guide disappears, leaving them stranded. They seek out the infamous hunter Buck Malone (David Keith), but Buck has zero interest in babysitting spoiled, rich tourists. That changes when the corrupt local sheriff, coveting Buck’s mysterious exotic amulet, frames him and throws him in jail. Ken bails him out with a massive payment, on one condition: Buck must guide them on a hunt for the legendary White Tiger. Deep in the jungle, Ken’s incompetence nearly gets them all killed. They barely survive enraged, wounded animals, only to realize something far worse is stalking them: cannibals, and Ken is their prize. Through yet another blunder, Ken is captured. Now Buck and Barbara must venture into the cannibal village to rescue him. Everything goes disastrously wrong. Before they can even reach the village center, Buck and Barbara are overpowered and bound to upright stakes beside a panicked Ken. Buck stays calm until he sees Barbara being carried off to the hut of the tribal Chief (Sumith Mudannayaka). Buck struggles against his bonds, but there’s nothing he can do.

Inside the hut, the Chief attempts to seduce the fair-skinned beauty, declaring he will make her his queen. Barbara fights back. Frustrated by her refusal, the Chief summons his maidens. They swarm Barbara, forcibly stripping her naked—tearing away her belt, trousers, boots, white shirt, and panties—then bind her spread-eagle on a wooden bed draped in animal skins. They coat her entire body in warm oil, massaging her slowly and sensually from head to toe. Barbara writhes and protests, but she is helpless against their firm hands as they continue the prolonged, intimate rubdown.

Suddenly, to Ken’s shock, the cannibals cut him loose. He bolts into the jungle, yelling that he’ll return with help. Buck knows he won’t. That night, the warriors come back carrying Ken’s severed head. The maidens finish oiling Barbara until her skin glistens, then leave her alone, naked and exhausted, slumped on the floor of the hut. The Chief enters. With almost no strength left to resist, Barbara is powerless as he forces himself upon her. Buck seizes the moment: he attacks the Chief, overpowers him, and frees Barbara. As chaos erupts, someone spots the ancient amulet around Buck’s neck. The entire tribe freezes in terror—legend says whoever wears it is protected by the gods. Even the Chief, desperate to possess the stone, is too frightened to touch it. Buck grabs the opportunity, yanks Barbara with him, and they flee into the night. The whole village erupts in pursuit, determined to kill Buck and reclaim their new “queen.”

At last, Barbara finds herself in a hunt she truly understands: a merciless manhunt through the jungle, with her as the ultimate prey.

David Keith originally signed only to star in the film. When the intended director bailed out, Keith lobbied to direct as well, in what would have been his first helming effort. Photography was slated to start in the fall of 1986.^[2][3] However, the film ended up being delayed. Instead, Keith made his directorial debut with The Curse, another Trans World Entertainment production.^[3][4] In the meantime, he rewrote the original script, which was a straightforward adventure, to make it more humorous. He also added the part of the husband, which was written especially for stand-up comedian Brant von Hoffman.^[4]

The film went by the working titles Blood Hunt and Sacrifice, under which it entered production.^[5][6][7] Argentina, where TWE executive Eduard Sarlui had already made films, and Thailand were considered as locations, before Sri Lanka was chosen.^[5] Keith departed for the country for prep work on February 19, 1987, right after finishing post-production on The Curse.^[8]

Principal photography started on March 30, 1987,^[7][9][10] and extended deep into the month of June.^[11][12] The first part of the shoot was spent in the capital of Colombo, and the crew moved on to Kandy mid April,^[13][14] where they used Peradeniya Botanical Gardens and the Mahaweli River.^[15][16] At the end of May, the crew relocated to Ranna and its lagoon on the southern coast.^[15]

The shoot was organized by Sri Lanka Film Location Services, a local production services company owned by Chandran Rutnam, who had worked as a production supervisor on the Sri Lankan parts of Indiana Jones and the Temple of Doom.^[17] It took place in humid and hot conditions, up to 110°F, while only five rooms at the main hotel used by production had air conditioning.^[4][11] During a scene where actors were tied up with vines, they developed an allergic reaction. Shower was the most affected and had to be sent all the way back to Los Angeles for treatment.^[4] For the actress' sex ritual scene, Keith consulted with her beforehand, and made sure to get through it in as few takes as possible.^[4] The film's contents generated a small controversy in Sri Lanka when some revealing pictures from the shoot were published in the Sunday Divaina, a local tabloid.^[1] The deadly Aluth Oya massacre, which happened during filming, caused some concern for relatives back in the U.S., but the crew was not affected.^[13]

Buck Malone was originally going to fly a larger aircraft, the Grumman HU-16 Albatross, but efforts to procure one fell through. A derelict Lake Buccaneer was sourced from a local businessman with only days to go before the beginning of the plane scenes in late May. It was hastily repaired, but the wing spars were broken during transportation, forcing a return to base. When it finally arrived, it was not airworthy. The external lights did not work, which attracted the attention of the Sri Lankan Air Force, the bilge pumps were defective and a gear door needed to be sealed shut with sewing thread for one take off. Yet, the production designers insisted on applying paper onto the hull to make it look even more rickety.^[15] The plane and the helicopter used by the crew were flown by local army pilots.^[16] For the takeoff scene, they were asked to fly under the Botanical Gardens' suspended bridge, but this was deemed unsafe. They flew above, and still received a stall warning when they cleared nearby Primrose Hill.^[15]

The film title was changed to The Further Adventures of Tennessee Buck shortly after filming.^[18]

TWE opened The Further Adventures of Tennessee Buck in several markets on April 8, 1988.^[19][20][21] It debuted in Los Angeles on April 29, 1988,^[22] and in New York City on June 3, 1988.^[23]

The film arrived on domestic videocassette through Media Home Entertainment, with whom TWE had an output deal, on August 17, 1988.^[24] It was accompanied by a LaserDisc from Image Entertainment.^[25]

The Further Adventures of Tennessee Buck received mostly negative reviews, with most criticism focusing on its mix of mainstream and exploitation ingredients. Michael Wilmington of the Los Angeles Times wrote that "Tennessee Buck does have it over [Indiana] Jones in two areas: tastelessness and nudity. There’s a smarmy, sniggery quality to its fusion of boys' adventure serial with soft-core bawdiness." He summed up the film as "an outlandishly offensive farrago of tortured blondes, wisecracking supermen and lustful depraved cannibals", and a "pathetic little porno-comic-adventure".^[26] Michael H. Price of the Fort Worth Star-Telegram concurred, finding it a "less than wholesome knockoff of the Indiana Jones variety", a "bizarre and inept jungle romp" and "a miserable jungle sleazer".^[27]

Todd Sussman of The Miami News asked, "Is it a comedy? Is it an action thriller?" He called out an "inconsistent" movie that relied on "gratuitous" nude scenes, before turning to "gore for gore's sake", and summed it up as "by far the worst jungle adventure since Bo Derek's Tarzan."^[28] Juan Carlos Soto of The Miami Herald called it "an obnoxious picture" which "may be the most offensive film ever made" and "makes you wonder why [Keith] would consider such a piece of junk".^[29] In trade publication Variety, the reviewer credited as Advo. called the film "tedious fare" featuring "a host of racial and sexist jokes of the wink, wink/nudge, nudge school of humor", and noted that "[u]sually, one has to go to a World Wrestling Federation exhibition to see acting of the class that David Keith and his entourage bring to this tale".^[30]

The Motion Picture Annual dissented with the majority opinion, calling the film "not as mean spirited as many of the other Indiana Jones rip-offs." It acknowledged that "as a director [Keith] shows some slight ability", while he portrayed "a relaxed, likeable hero and gives the film whatever charm it has", as "Shower's thespian talents are limited." It concluded that it was "little more than a live action cartoon but, accepted on that level, it can be entertaining."^[31] Leonard Maltin was also positive, opining that "[a]ctor-director Keith maintains a breezy tone, and lovely Sri Lanka locations almost distract attention from beauteous Shower."^[32]

• The Further Adventures of Tennessee Buck at IMDb
• The Further Adventures of Tennessee Buck at Rotten Tomatoes