List of Private Passions episodes (1995–1999)
This is a list of Private Passions episodes from 1995 to 1999. It does not include repeated episodes or compilations.
1995
| Date | Guest | Composer | Title | Performer / Label |
|---|---|---|---|---|
| 15 Apr 1995 | Elvis Costello | Benjamin Britten | Corpus Christi carol (from album Grace) | |
| William Byrd | Ye Sacred Muses (rec. 1960) | |||
| W. A. Mozart | "Parto, ma tu ben mio" (from La clemenza di Tito) | |||
| Henry Purcell | Fantasia a 4 No. 5 in B-flat Z736 | |||
| Franz Schubert | Piano Sonata movement (incomplete) D 571 | |||
| Igor Stravinsky | March royale (from L'Histoire du soldat) | |||
| Sigurd von Koch | The Wild Swans | |||
| Kurt Weill | "My Ship" (from Miles Ahead) | |||
| 22 Apr 1995 | Germaine Greer | Johannes Brahms | Gesang aus Fingal (4 Songs, Op. 17, No. 4) | |
| John Cage | Organ Music | |||
| François Couperin | "L'evaporée" (No. 3 from Pièces de clavecin, book 3, 15th ordre) | |||
| George Frideric Handel | "Heart, the seat of soft delight" (from Acis and Galatea) | |||
| Johann Ritter Von Herbeck | Pueri concinite | |||
| Jerry Leiber and Mike Stoller | "Is That All There Is?" | |||
| Gustav Mahler | "Der Tambourg'sell" (from Des Knaben Wunderhorn) | |||
| Schubert | "Der blinde Knabe" D833 | |||
| Tomás Luis de Victoria | Tenebrae responsories | |||
| 29 Apr 1995 | Simon Russell Beale | Johann Sebastian Bach | Kyrie from Mass in B minor | |
| Henri Duparc | "Chanson triste" | |||
| Gerald Finzi | "The Salutation" from Dies Natalis | |||
| Claudio Monteverdi | "Quia fecit mihi magna" (from Magnificat, Vespers, 1610) | |||
| Sergei Rachmaninoff | Cello Sonata (3rd movement) | |||
| Maurice Ravel | "Le jardin feerique" (6eme tableau) from Ma mère l'Oye | |||
| Richard Strauss | Finale from Elektra | |||
| 6 May 1995 | Denis Healey | Giacomo Puccini | "In questa reggia" (from Turandot) | |
| Mozart | Lacrimosa (from Requiem) | |||
| Richard Strauss | Trio from act 3 of Der Rosenkavalier | |||
| Bach | Gigue from Partita No. 1 in B-flat BWV 825 | |||
| Ludwig van Beethoven | Finale of Piano Concerto No. 5 (Emperor) | |||
| Gioachino Rossini | "Nacqui all'affanno...Non piu mesta" (from La Cenerentola) | |||
| Schubert | "The Shepherd on the Rock" | |||
| Beethoven | String Quartet Op. 130 (5th movement, Cavatina) | |||
| 13 May 1995 | Harriet Walter | Bach | Trio Sonata (2nd movement) from The Musical Offering | |
| Beethoven | Symphony No. 5 (1st movement) | |||
| Chopin | Nocturne in C-sharp minor, Op. 27, No. 1 | |||
| Edward Elgar | Cello Concerto (2nd movement) | |||
| Monteverdi | Beatus vir | |||
| Francis Poulenc | Domine Deus (from Gloria) | |||
| Sergei Prokofiev | Death of Tybalt (from Romeo and Juliet) | |||
| 20 May 1995 | Terry Waite | Chopin | Ballade No. 1 in G minor | |
| Elgar | Chanson de matin, Op. 15, No. 2 | |||
| Elgar | The Dream of Gerontius Part II (Prelude, and "I went to sleep") | |||
| Ivor Gurney | "Sleep" | |||
| J. M. Nicholas | "Great is he, the Lord eternal", arr. B. Davies | |||
| Antonio Carlos Jobim and Gene Lees | "Quiet Nights of Quiet Stars" | |||
| Malcolm Boyle | "Thou, O God, are praised in Sion" | |||
| Krzysztof Penderecki | "Utrenya" (from Part II: The Resurrection of Christ) | |||
| Peter Melville Smith | Fanfare | |||
| 27 May 1995 | P. D. James | Bach | "Gloria, In terra Pax" (from Mass in B minor) | |
| Gabriel Fauré | "Agnus Dei" and "Libera Me" (from Requiem) | |||
| Gerald Finzi | "His Golden Locks" (from Farewell to Arms) | |||
| Orlando Gibbons | Psalm 145 | |||
| Norman Gimbel and Charles Fox | "Killing Me Softly with His Song" | |||
| Handel | Dopo notte (from Ariodante) | |||
| Mozart | "Soave o sia il vento" (from Cosi fan tutte) | |||
| Schubert | An die Musik | |||
| 3 Jun 1995 | Adam Mars-Jones | Bach | Chorale Prelude: O Mensch, bewein dein Sunde gross | |
| Don Van Vliet | Hair Pie: Bake 2 (from Trout Mask Replica) | |||
| Carlo Gesualdo | Dolcissima mia vita | |||
| Leopold Godowsky | Study No. 27 (on Chopin's Op. 25, No. 2) | |||
| Arvo Pärt | Mein Weg hat Gipfel und Wellentaler | |||
| Poulenc | Sicilienne & Carillon (from Suite Francaise) | |||
| Max Reger | Chorale Prelude: Wachet Auf, Op. 67 No. 41 | |||
| Schubert | Lebenssturme, D947 | |||
| 10 Jun 1995 | John Nettles | Beethoven | Symphony No. 6 (Pastoral) Finale | |
| Joseph Canteloube | Bailero (from Songs of the Auvergne) | |||
| Joan Baez | "All In Green Went My Love Riding" (from The Joan Baez Lovesong Album) | |||
| John Ireland | The Island Spell | |||
| Traditional March | The Cornish Troubadour (arr. K. polmear) | |||
| Mozart | Clarinet Concerto in A K. 622 (2nd movement) | |||
| Shakespeare and Martin Harris | "Under the Greenwood Tree" | |||
| William Walton | Charge and Battle Music (from Henry V film score) | |||
| 17 Jun 1995 | Toyah Willcox | Beethoven | Symphony No. 7 in A (2nd movement) | |
| Elgar | Enigma Variations (No. 9, "Nimrod") | |||
| Gustav Holst | "Mars" (from The Planets) | |||
| Kate Bush | no details | |||
| Keith Tippett and Andy Sheppard | No. 32 from 66 Shades of Lipstick | |||
| Mozart | Serenade for 13 wind instruments in B-flat, K. 361 (2nd movement) (from soundtrack of film Amadeus) | |||
| Stravinsky | 2 Dances from The Firebird, 1910 | |||
| 24 Jun 1995 | John Mortimer | Brahms | Symphony No. 4 in E minor (3rd movement) | |
| Irving Berlin | "Let's Face the Music and Dance" | |||
| Johann Strauss II | How sad it is (from Die Fledermaus) | |||
| Mozart | Sinfonia concertante in E-flat, K. 364 (finale) | |||
| Puccini | "E lucevan le stelle" (Tosca, act 3) | |||
| Richard Strauss | Beim Schlafengehen | |||
| Rossini | Una voce poco fa (from The Barber of Seville, Act I) | |||
| Giuseppe Verdi | Dies irae (from Requiem) | |||
| 1 Jul 1995 | Chad Varah | Bach | Concerto for oboe, violin and strings in C minor, BWV 1060 (2nd movement, Adagio) | |
| William Byrd | Agnus Dei (from Mass for 4 voices) | |||
| Domenico Scarlatti | Sonata in A minor, Kk54 | |||
| Percy Grainger | "Brigg Fair" (arr. for tenor and chorus) | |||
| Handel | Date serta (from motet Silete Venti for soprano and orchestra | |||
| Handel | Dixit Dominus (Psalm 110), HWV 232 | |||
| Erik Satie | Gymnopedie No. 1 (orch. Debussy) | |||
| Jean Sibelius | Flickan kom ifran sin (The maiden's tryst) from 5 Songs, Op. 37 | |||
| Pyotr Ilyich Tchaikovsky | Concerto for piano and orchestra no. 2 (2nd movement) | |||
| 8 Jul 1995 | Simon Jenkins | Beethoven | Symphony No. 7 in A major, Op. 92 (4th movement) | |
| Dolly Parton | "I Will Always Love You" | |||
| Scott Joplin | Elite Syncopations, arr. J. C. Starkey | |||
| Mozart | Piano Concerto No. 27 in B-flat, K. 595 (2nd movement) | |||
| Rossini | Cujus animam gementem, from Stabat Mater | |||
| Erik Satie | La Belle Excentrique | |||
| Schubert | Der Hirt auf dem Felsen, D965 | |||
| Verdi | excerpt from Rigoletto | |||
| 15 Jul 1995 | Bernice Rubens | Richard Strauss | Beim Schlafengehen (from 4 Letzte Lieder) | |
| Schubert | String Quintet in C major, D956 (2nd movement) | |||
| Charles Ives | General William Booth Enters into Heaven (excerpt) | |||
| Antonín Dvořák | Cello Concerto in B minor, 3rd movement | |||
| Mozart | "Mi tradi quell'alma ingrata", from Act II of Don Giovanni | |||
| Mozart | String Quartet in C major, K. 365 (Dissonance), 2nd movement | |||
| 22 Jul 1995 | Alastair Morton | Elgar | Cello Concerto in E minor (1st movement) | |
| John Matshikiza | excerpt from King Kong | |||
| John Rutter | For the beauty of the earth, anthem | |||
| Spencer Williams | "Basin Street Blues" | |||
| Stravinsky | Disappearance of the Palace and Kaschkei's Enchantments (from Scene 2 of The Firebird | |||
| Verdi | "Ah! Veglia, o donna", from Act 1, Sc. 2 of Rigoletto | |||
| Verdi | Vedi come il buon vegliardo | |||
| 29 Jul 1995 | Patricia Hodge | Ennio Morricone | "Gabriel's Oboe2 (No. 2 from film score The Mission) | |
| Leonard Bernstein | excerpt from Symphony No. 3 ("Kaddish") | |||
| Chopin | Polonaise for piano in A-flat major, Op. 53 ("Eroica") | |||
| Gabriel Fauré | Libera me (from Requiem, Op. 48) | |||
| Mahler | Symphony No. 5 in C-sharp minor (4th movement, Adagietto) | |||
| Kurt Weill | "Girl of the moment" (from Lady in the Dark) | |||
| Charles-Marie Widor | Toccata (from Symphony for Organ, No. 5 in F minor) | |||
| 5 Aug 1995 | Jeremy Isaacs | Beethoven | O namenlose Freude (duet) from Fidelio (1814 version), Act II, no. 15 | |
| Joseph Haydn | Kyrie from Mass in D minor (Missa in angustiis) | |||
| Leoš Janáček | The Cunning Little Vixen (Act I, Prelude) | |||
| Mozart | Symphony No. 38 in D, K. 504 (Prague), 1st movement | |||
| Rossini | Pourquoi ta presence, from William Tell, Act IV | |||
| Schubert | Piano Sonata in B-flat major, D. 960 (1st movement) | |||
| 12 Aug 1995 | Irene Thomas | Captain Arthur C. Green | Sunset (bugle call) | |
| Britten | "Moonlight", No. 3 of 4 Sea Interludes from Peter Grimes | |||
| Charles Gounod | "Avant de quitter" (Cavatina) from Act II of Faust | |||
| J. H. Hewitt | "All Quiet Along the Potomac Tonight" | |||
| Julia Ward Howe | "Battle Hymn of the Republic" | |||
| Orazio Vecchi | Fa una canzona (madrigal) | |||
| Robert Schumann | Berg und Burgen schaun herunter, No. 7 of Liederkreis, Op. 24 | |||
| Traditional music of Wales | Bugeilio'r gwenith gwyn (Watching the white wheat) | |||
| Verdi | Tacea la notte placida, from Act I, sc. 2 of Il Trovatore | |||
| Verdi | Tuba mirum, from Requiem | |||
| Richard Wagner | Liebestod from Act III of Tristan und Isolde | |||
| 26 Aug 1995 | Albert Roux | Bach | Gigue from Suite for Cello No. 3 in C (BWV 1009) | |
| Max Bruch | Violin Concerto No. 1 in G minor, Op. 26 (2nd movement) | |||
| Louiguy | "La Vie en rose" | |||
| Jules Massenet | "Si tu veux, mignonne" | |||
| Mozart | Requiem aeternam (from Requiem in D minor, K. 626) | |||
| Puccini | "Nessun dorma" (from Turandot, act 3, scene 1) | |||
| Reynaldo Hahn | "Offrande", No. 8 from 20 Mélodies, book 1 | |||
| Camille Saint-Saëns | Danse macabre (symphonic poem) | |||
| Wesley Wilson | "Gimme a Pigfoot" | |||
| 2 Sep 1995 | Leopold David de Rothschild | Hubert Parry | An Ode on the Nativity | |
| Mozart | Menuetto and Trio from Serenade in D major, K. 203 | |||
| Bach | Prelude and fugue in A major (from Das wohltemperierte Klavier, Bk 2) | |||
| Francesco Cavalli | La Calisto | |||
| Handel | Concerto grosso in B minor, Op. 6, No. 12 (3rd movement) | |||
| Meyerbeer | Rare flower | |||
| Mozart | Concerto for piano and orchestra No. 18 in B-flat major, K. 456 (2nd movement) | |||
| Gilbert and Sullivan | "The sun, whose rays are all ablaze" (from The Mikado, Act II) | |||
| 9 Sep 1995 | Ian Hislop | Anonymous work | "Ayo visto lo mappamundi" (15th-century Neapolitan barzeletta) | |
| Bruckner | Symphony No. 4 in E-flat major ("Romantic") 4th movement | |||
| Emilio de' Cavalieri | O che nuovo miracolo (ballo from 6th Florentine Intermedio, 1589) | |||
| Mickey Newbury | An American Trilogy (Dixie/John Brown/All my trials) | |||
| Mozart | Overture to Le nozze di Figaro, K. 492 | |||
| Giovanni Pierluigi da Palestrina | Hodie Christus natus est: motet for 4 voices | |||
| Henry Purcell | Crown the altar, deck the shrine, from "Celebrate this festival" (Birthday Ode for Queen Mary, 1693) | |||
| Tchaikovsky | Serenade for string orchestra in C, Op. 48 (2nd movement, Waltz) | |||
| William Walton | Spitfire Music/Battle in the Air (from The Battle of Britain Suite) | |||
| 16 Sep 1995 | Dennis Marks | Debussy | Arabesque No. 1 in E major | |
| Leoš Janáček | The Cunning Little Vixen (Act III, final scene) | |||
| Mahler | "Ich bin der Welt abhanden gekommen" (No. 4 of 5 Ruckert-Lieder for voice and orchestra) | |||
| Monteverdi | Laetatus sum, from Vespro della Beata Vergine (1610) | |||
| Schubert | Trio for piano and strings in E-flat major (Notturno), D. 897 | |||
| Michael Tippett | Interlude and 2nd movement from Concerto for violin, viola, cello and orchestra | |||
| 23 Sep 1995 | Sir Edwin Nixon | Leonard Bernstein | "America" (from West Side Story) | |
| Brahms | Academic Festival Overture, Op. 80 | |||
| Chopin | Polonaise in A (Military), Op. 40, No. 1 | |||
| Monteverdi | Deus in adjutorium meum intende (Intonation), and Domine ad adjuvandum, from Vespro della Beata Vergine (1610) | |||
| Mozart | Credo from Great Mass in C minor, K. 427 | |||
| Richard Strauss | Wiegenlied, Op. 41, No. 1, for voice and orchestra | |||
| Verdi | Orfanella il tetto umile...Figlia! A ta nome (duet from Simon Boccanegra, Act I) | |||
| 30 Sep 1995 | David Hockney | Béla Bartók | Quartet No. 2 (2nd movement Allegro molto capriccioso) | |
| Mozart | Bald prangt, den Morgen zu verkunden (from The Magic Flute) | |||
| Ravel | "Five o clock Foxtrot" (from L'enfant et les sortileges) | |||
| Richard Strauss | Falcon Aria from Act II of Die Frau ohne Schatten | |||
| Stravinsky | Song of the Nightingale (from Le Rossignol) | |||
| Wagner | Prelude to Tristan and Isolde | |||
| 7 Oct 1995 | Bamber Gascoigne | Berlioz | Absence (from les nuits d'ete) | |
| Babuji | dheere chalna | |||
| Verdi | E grave il sacrifizio (from La traviata) | |||
| Mozart | Finale of Act III, The Marriage of Figaro | |||
| Saverio Mercadante | Overture: La testa di bronzo | |||
| Stravinsky | Petrushka's Room (from Petrushka) | |||
| Britten | "The splendour falls" (from Serenade, Op. 31) | |||
| 14 Oct 1995 | David Pountney | Antonín Dvořák | The Devil and Kate (Finale of Act I) | |
| George Gershwin | "Just Another Rhumba" | |||
| Leoš Janáček | String Quartet No. 1 (Kreutzer Sonata) 1st movement | |||
| Maxwell Davies | Resurrection (from Revivalist Rally) | |||
| Henry Purcell | Dance of Fairies/Sing while we trip it/See, even Night herself is here (from The Fairy Queen, Act II) | |||
| Schubert | Sonata in A minor D784 (2nd movement Andante) | |||
| Shostakovich | Can-can.Ophelia's Ditty/Lullaby (from Hamlet) | |||
| 21 Oct 1995 | Dudley Moore | Bach | Fugue in B minor BWV 544 | |
| Beethoven | Symphony No. 3 (Eroica), 2nd movement | |||
| Chopin | Ballade No. 1, Op. 23 | |||
| Mahler | "In diesem Wetter" (from Kindertotenlieder) | |||
| Massenet | Méditation (from Thaïs) | |||
| Mozart | Domine Jesu (from Requiem K. 626) | |||
| Rachmaninoff | Piano Concerto No. 2 in C minor (2nd movement) | |||
| Weelkes | "When David Heard" | |||
| 28 Oct 1995 | Elizabeth Esteve-Coll | Trad. Sicilian Peasant Songs | Bella Ciao | |
| Trad. Spanish arr. G. Tarrago | El Rossinyol | |||
| Mozart | Quintet for piano and wind, K. 452 (Larghetto) | |||
| Britten | Sanctus from War Requiem | |||
| Camille Saint-Saëns | "Softly awakes my heart" (from Samson and Delilah) | |||
| Domenico Scarlatti | Sonata in D major, Kk490 | |||
| Shostakovich | Violin Concerto (1st movement: Nocturne) | |||
| 4 Nov 1995 | Fiona Shaw | Rachmaninoff | Piano Concerto No. 2 in C minor (1st movement) | |
| Britten | "Adam lay i-bounden" (from A Ceremony of Carols) | |||
| Honegger | Joan of Arc at the Stake (scene 7 and part of 8) | |||
| John Field | Nocturne No. 7 in C major | |||
| John Tavener | The Protecting Veil (opening movement) | |||
| Mozart | "Mi tradi quell'alma ingrate" (from Act II of Don Giovanni) | |||
| Mozart | Opening chorus of Requiem | |||
| 11 Nov 1995 | Noel Annan | Bach | Sanctus (from Mass in B minor) | |
| Mozart | Concerto for flute and harp, K. 299 (2nd movement) | |||
| Henry Purcell | Chaconne (from The Fairy Queen) | |||
| Henry Purcell | "Halcyon Days" (from The Tempest) | |||
| Schubert | "Im Fruhling" | |||
| Tchaikovsky | Eugene Onegin (final scene) | |||
| Kurt Weill | Surabaya Jonny (from Happy End) | |||
| 18 Nov 1995 | Jonathan Miller | Bach | "Erbarme dich" (from St Matthew Passion) | |
| Beethoven | Piano Concerto No. 4 (1st movement) | |||
| Leoš Janáček | Introduction to The Cunning Little Vixen | |||
| Monteverdi | final duet from The Coronation of Poppea | |||
| Mozart | "Sull'aria" and "Che soave zeffiretto" (from The Marriage of Figaro) | |||
| Schubert | Adagio in E-flat D. 897 (Notturno) | |||
| Spencer Williams | "Tishomingo Blues" (rec. 1947) | |||
| Traditional music | Rag bilaskhani todi | |||
| 25 Nov 1995 | Charles Rosen | Bach | Prelude and fugue in C minor, BWV 871 (from 'The 48' Book 2) | |
| Vincenzo Bellini | O rendetemi la speme (from I Puritani) | |||
| Elliott Carter | Double Concerto | |||
| Chopin | Waltz in C-sharp minor, Op. 64/2 | |||
| John Browne | Stabat mater | |||
| Mozart | Di scrivermi ogni giorno (Cosi fan tutte) | |||
| Wagner | Immolation Scene (from Götterdämmerung) | |||
| Anton Webern | Eingang (from 5 Songs on poems by Stefan George, Op. 4) | |||
| 2 Dec 1995 | Julian Barnes | Berlioz | Villanelle (from Les nuits d'ete) | |
| Georges Brassens | Le 22 septembre | |||
| Noël Coward | "Don't Let's Be Beastly to the Germans" | |||
| Gounod | Credo (from St Cecilia Mass) | |||
| Mozart | Sonata in E-flat, K. 282 (1st movement) | |||
| Ravel | Blues (from Violin Sonata) | |||
| Erik Satie | Gnossienne No. 4 | |||
| Jean Sibelius | Symphony No. 4 (1st movement) | |||
| 9 Dec 1995 | Marjorie Wallace | Annie Fortescue Harrison | "In the Gloaming" | |
| Chopin | Waltz in A-flat, Op. 69/1 | |||
| Elgar | "As torrents in spring" | |||
| Gabriel Fauré | "In paradisum" (from Requiem) | |||
| Gounod | Repentir | |||
| Mahler | Adagietto (from Symphony No. 5) | |||
| Meredith Willson | "Till There Was You" (from Music Man) | |||
| Puccini | recondite armonia (from Tosca) | |||
| Verdi | Dinale from La Traviata, Act III | |||
| 16 Dec 1995 | John Bird | Bach | Prelude in C-sharp major (from The Well-Tempered Clavier, Book 1) | |
| Beethoven | Sonata in A, Op. 101 (2nd movement) | |||
| Boulez | Eclat | |||
| Debussy | "Etude pour les octaves" | |||
| Haydn | Quartet in B-flat, Op. 76/4 (1st movement) | |||
| Arnold Schoenberg | 3 Pieces for chamber orchestra | |||
| Arnold Schoenberg | Herzgewachse | |||
| Robert Schumann | Sphinxes; Papillons (from Carnaval) | |||
| Stravinsky | Variations – Aldous Huxley in memoriam | |||
| 23 Dec 1995 | Barry Humphries | Emmanuel Chabrier | "L'Île heureuse" | |
| Jean-Michel Damase | Variations on the Wedding March | |||
| Frederick Delius | "Vitae summa" – "They are not long, the weeping and the laughter" (No. 8 from Songs of Sunset) | |||
| Percy Grainger | "Arrival Platform Humlet", first movement from In a Nutshell | |||
| Ernst Krenek | "The Farewell Song" (from Jonny spielt auf) | |||
| Federico Mompou | Damunt de tu nomes les flors | |||
| Edgard Varèse | Octandre | |||
| Heitor Villa-Lobos | Samba Classico |
1996
| Date | Guest | Composer | Title | Performer / Label |
|---|---|---|---|---|
| 13 Jan 1996 | Ken Russell | Brahms | Symphony No. 3 (2nd movement) | |
| Elgar | Symphony No. 2 in E-flat (3rd movement – Presto) | |||
| Hoagy Carmichael and Johnny Mercer | "Skylark" | |||
| John Adams | Grand Pianola Music Part II; On the Dominant Divide | |||
| Milhaud | Saudades do Brasil (No. 4 Copacabana; No. 5 Ipanema, No. 6 Gavea) | |||
| Sergei Prokofiev | Waltz from War and Peace Symphonic Suite | |||
| Stan Kenton | "Lover" (from Kenton in Hi-Fi) | |||
| 20 Jan 1996 | David Hare | Bach | Goldberg Variations, Nos. 4–8 | |
| Beethoven | Symphony No. 7 in A (2nd movement) | |||
| Berlioz | La morte de Cleopatre | |||
| Mike Figgis | Ben and Sara (theme) (from original soundtrack for Leaving Las Vegas) | |||
| Miles Davis | "Diner au Motel" (from album Ascenseur pour l'echafaud) | |||
| Ravel | Tzigane | |||
| Stanley Myers | Theme from Heading Home | |||
| 27 Jan 1996 | Sian Phillips | Giovanni Battista Pergolesi | Fac ut ardeat cor meum (from Stabat mater) | |
| Schubert | Impromptu No. 3 in G-flat, Op. 90, D899 | |||
| Leonard Bernstein | "Glitter and be gay" (from Candide) | |||
| George Gershwin | "Bess, You Is My Woman Now" (from Porgy and Bess) | |||
| Mozart | "Porgi amor" (from The Marriage of Figaro) | |||
| Mozart | Piano Concerto No. 19 in F, K. 459 (1st movement) | |||
| 3 Feb 1996 | Sir Isaiah Berlin | Bach | Brandenburg Concerto No. 5 (1st movement, Allegro) | |
| Beethoven | String Quartet No. 13 in B-flat, Op. 130 (5th movement, Adagio molto espressivo) | |||
| Vincenzo Bellini | Casta diva (from Norma) | |||
| Mozart | Act II finale from The Marriage of Figaro | |||
| Schubert | Piano Sonata in A, D959 | |||
| 10 Feb 1996 | Professor Steve Jones | Richard Strauss | Du geht er hin, der aufgeblasene schlechte Kerl (from Der Rosenkavalier, Act I) | |
| Steve Reich | Tehillim for voice and ensemble (Part II: fast) | |||
| Bach | Chaconne (from Partita for violin No. 2 | |||
| Beethoven | String Quartet No. 16 in F, Op. 135 (2nd movement) | |||
| Monteverdi | Sonata sopra Sancta Maria (from Vespro della Beata Vergine) | |||
| Henry Purcell | In the midst of life (from Funeral Music for Queen Mary) | |||
| The Ramblers Dance Band | Agyanka Dabre | |||
| 17 Feb 1996 | Patricia Routledge | Bach | Fantasia and Fugue in C minor, BWV 537, Op. 86 | |
| Antonín Dvořák | 2nd movement (Lento) from 'American' String Quartet No. 12 in F, Op. 96 | |||
| Gluck | Che faro senza Euridice & Dance of the Blessed Spirits (from Orfeo ed Euridice) | |||
| Lennox Berkeley | The Lord is my shepherd, Op. 91 No. 1 | |||
| Shostakovich | Suite: The Adventures of Korzinkina, Op. 59 | |||
| Tchaikovsky | Variations on a rococo theme for cello and orchestra, Op. 33 (Vars IV-VII) | |||
| 24 Feb 1996 | Sir Magdi Yacoub | Mozart | Fantasia in C K 395 | |
| Bach | "Ich habe genug" (from Cantata No. 82) | |||
| Mozart | Lacrimosa (from Requiem) | |||
| Handel | "Let the bright seraphim" (from Samson) | |||
| César Franck | Panis angelicus | |||
| Bach | Prelude No. 1 in C (from Well-Tempered Clavier, Book 1) | |||
| Marc-Antoine Charpentier | Te Deum | |||
| Bob Marley | "Three little birds" | |||
| Bach | 2nd movement from Concerto for 2 violins, BWV 1043 | |||
| 2 Mar 1996 | James MacMillan | Bach | Fugue 21 in B-flat (The Well Tempered Clavier, Book 1) | |
| Beethoven | O namenlose Freude (duet from Act II of Fidelio) | |||
| William Byrd | Mass for 4 voices (Kyrie) | |||
| John Casken | Vaganza (3rd movement) | |||
| Messiaen | Et expecto resurrectionem mortuorem | |||
| Mozart | Clarinet Quintet in A, K. 581 (1st movement) | |||
| Traditional music | MacCrimmon's Lament | |||
| Ustvolskaya | Composition No. 3 (Benedictus qui venit) | |||
| Wagner | Prelude & Opening Scene of Götterdämmerung | |||
| 9 Mar 1996 | Michael Ignatieff | Bach | Italian' Concerto in F, BWV 971 (3rd movement, Presto) | |
| Beethoven | Piano Concerto No. 4 in G (2nd movement, Andante con moto) | |||
| George Gershwin | "Summertime" (from Porgy and Bess) | |||
| Hoagy Carmichael | "Stardust" | |||
| Mahler | 4th movement (Urlicht) from Symphony No. 2 in C minor (Resurrection) | |||
| Arnold Schoenberg | Verklarte Nacht | |||
| Schubert | Trout Quintet in A major (3rd movement – Scherzo) | |||
| 16 Mar 1996 | John Peel | Gregorio Allegri | Miserere | |
| Max Bruch | Violin Concerto in G minor, Op. 26 (2nd movement) | |||
| Conlon Nancarrow | Study for Player-Piano No. 21 | |||
| George Gershwin | "Rhapsody in Blue" | |||
| Louis Moreau Gottschalk | Ojos Criollos, Danse cubaine | |||
| Neil Young | "Rockin' in the Free World" | |||
| Camille Saint-Saëns | Piano Concerto No. 2 in G minor, Op. 22 (3rd movement – Presto) | |||
| 23 Mar 1996 | Colin Davis | Beethoven | Fugue from Credo (Missa solemnis, Op. 123) | |
| Berlioz | Les Troyens (Act III finale) | |||
| Britten | Act I, scene 2, from Peter Grimes | |||
| Bruckner | Symphony No. 6 in A major (2nd movement) | |||
| Mozart | String Trio in E-flat, K. 563 (2nd movement, Adagio) | |||
| Michael Tippett | Act II, scene 3 from The Midsummer Marriage | |||
| 30 Mar 1996 | Carl Davis | Monteverdi | Messenger's Aria (from Orfeo) | |
| Schubert | Moment Musical in F minor D.780/3 | |||
| Mozart | Quintet in G minor, K.516 (3rd movement – Adagio ma non troppo) | |||
| Paul McCartney and Carl Davis | "The world you're coming into" (from Paul McCartney's Liverpool Oratorio) | |||
| Richard Strauss | Wiegenlied Op. 41/1 | |||
| Bach | Overture – 1st part (from Suite No. 3 in D) | |||
| Leonard Bernstein | Danzon (3rd Dance Variation from Fancy Free) | |||
| Carl Davis | Pride and Prejudice – Opening Titles | |||
| Puccini | Chi il bel sogno di Doretta (from La Rondine) | |||
| William Walton | Spitfire Music (from Battle of Britain Suite) | |||
| 6 Apr 1996 | Sir David Attenborough | Britten | The Pagodas (from The Prince of the Pagodas, Act 2, Scene 2) | |
| Duke Ellington | "Stompy Jones" | |||
| Handel | And the Glory of the Lord (Messiah) | |||
| Mahler | Ich bin der Welt abhanden gekommen | |||
| Monteverdi | 1st Versicle and Response (Vespers of 1610) | |||
| Mozart | "Soave o si'il vento" (Gentle be the breeze) 0 from Act 1 of Cosi fan Tutte | |||
| Domenico Scarlatti | Sonata in G Major Longo 209 | |||
| Thomas Tomkins | When David Heard | |||
| 13 Apr 1996 | Jilly Cooper | Beethoven | Quintet in E-flat (1st movement – Allegro) | |
| Brahms | Hungarian Dance No. 3 in F, arr. Joachim | |||
| Britten | Sentimental Sarabande (from Simple Symphony, Op. 4) | |||
| Chopin | Andantino (from Fantasia on Polish airs, Op. 13) | |||
| Gilbert and Sullivan | "Now, Marco dear" (from The Gondoliers) | |||
| Mozart | "Ah! taci, ingiusto core" (from Don Giovanni) | |||
| Richard Strauss | Ein Heldenleben (closing section) | |||
| Richard Strauss | Night and Sunrise (from Ein Alpensinfonie) | |||
| 20 Apr 1996 | Juliet Stevenson | Schubert | Arpeggione Sonata, D.821 (1st movement – allegro moderato) | |
| Richard Strauss | Beim Schlafengehen (from Four Last Songs) | |||
| Bach | Und von der sechsten Stunde + Wenn ich einmal soll scheiden (from St Matthew Passion) | |||
| Britten | Scene 8 (from The Turn of the Screw Act I) | |||
| James MacMillan | Sanctus (from Busqueda) | |||
| Leonard Cohen | Famous Blue Raincoat | |||
| Mike Reid and Allen Shamblin | "I can't make you love me" | |||
| 27 Apr 1996 | Simon Callow | Georges Bizet and Oscar Hammerstein II | "De cards don' lie'"/"Dat ol' Boy" (Carmen Jones) | |
| Cole Porter | "In the still of the night" | |||
| John White | Waltz from incidental music to Les Enfants du Paradis | |||
| Kevin Malpass | Music from "Shades" | |||
| Mahler | Symphony No. 8 – final section of part 2 | |||
| Mozart | Adagio (Serenade in B-flat K. 361) | |||
| Sergei Prokofiev | 2nd movement from Violin Concerto No. 2 in G minor | |||
| Camille Saint-Saëns | "Mon coeur s'ouvre a ta voix" (Samson and Delilah) | |||
| 4 May 1996 | Ernst Gombrich | Mozart | Laudate Dominum (from Vesperae solennes de confessore, K. 339) | |
| Mozart | Quartet in B-flat major, K. 458 (3rd movement – Adagio) | |||
| Haydn | Qui tollis peccata mundi (from the Nelson Mass) | |||
| Schubert | Piano Sonata in G major, D 894 (3rd movement – Menuetto) | |||
| Beethoven | Violin Sonata No. 8 in G major, Op. 30/3 (last movement – Allegro vivace) | |||
| Bach | Violin Concerto in E major, BWV 1042 (2nd movement – Adagio) | |||
| Beethoven | Quartet No. 13 in B-flat major, Op. 130 (3rd movement – Andante con moto, ma non troppo) | |||
| 11 May 1996 | Joanna Trollope | Britten | Dawn (from Four Sea Interludes from Peter Grimes) | |
| Gabriel Fauré | In Paradisum (from Requiem) | |||
| George Gershwin | "Summertime" (from Porgy and Bess) | |||
| Górecki | Symphony No. 3 (opening of 3rd movement) | |||
| Mozart | Laudamus te (from Great Mass in C minor, K. 427) | |||
| Rodgers and Hart | Manhattan | |||
| Telemann | Concerto in D for three trumpets (1st and 2nd movements) | |||
| Ralph Vaughan Williams | Fantasia on a Theme by Thomas Tallis | |||
| 18 May 1996 | Oz Clarke | Bach | "O Mensch, bewein dein Sünde gross" (from St Matthew Passion) | |
| Jerry Leiber and Mike Stoller | "King Creole" | |||
| Puccini | Che gelida manina (from La Bohème) | |||
| Henry Purcell | "When I am laid in earth" (from Dido and Aeneas) | |||
| Leo Robin and Ralph Rainger | "Thanks for the Memory" (from The Mitford Girls) | |||
| Stephen Sondheim | "There was a Barber and his Wife" (from Sweeney Todd) | |||
| Stephen Oliver | The Battle of Pelennor Fields (from The Lord of the Rings) | |||
| Tom Waits | "The Piano has been drinking (not me)" | |||
| Traditional music | "She moved through the fair" | |||
| 25 May 1996 | Anthony Storr | Bach | Menuets I & II from Partita No. 1 in B-flat | |
| Chopin | Nouvelles Etudes nos 1 & 2 | |||
| Duparc | L'invitation au voyage | |||
| Handel | Organ Concerto in B-flat major, Op. 4, No. 2 – Allegro (2nd movement) | |||
| Haydn | Adagio from Quartet in F minor | |||
| Liszt | Unstern-Sinistre | |||
| Mozart | 4th movement Allegro from String quintet in C | |||
| Schubert | Abschied (Schwanengesang D957) | |||
| 1 Jun 1996 | Joe Melia | Beethoven | String Quartet in E-flat major, Op. 127 (3rd movement – Scherzando vivace) | |
| Britten | Elegy (from Serenade for Tenor, Horn and Strings) | |||
| Liszt | Les Preludes | |||
| Frank Loesser | Overture and Racetrack Trio (from Guys and Dolls) | |||
| Richard Strauss | Moonlight Music (from the last scene of Capriccio) | |||
| Verdi | Falstaff (opening of Act II) | |||
| Wagner | Hagen summons the Gibichung (from Götterdämmerung, Act II) | |||
| Bert Williams and Will Vodery and Jean C. Havez | The Darktown Poker Club | |||
| 8 Jun 1996 | Carmen Callil | Stephen Foster | Ah! may the red rose live alway | |
| Richard Strauss | Beim Schlafengehen (from Four Last Songs) | |||
| Schubert | String Quintet in C, D.956 (2nd movement – Adagio) | |||
| Vincenzo Bellini | Prendi: l'anel ti dono (from La Sonnambula) | |||
| Denham Harrison and Richard Elton | "Give me a Ticket to Heaven" | |||
| Jerome Kern | "Can't help loving that man" | |||
| Traditional music | Tantum Ergo | |||
| Verdi | Dio, che nell'alma infondere amor (from Don Carlo) | |||
| 15 Jun 1996 | Oliver Knussen | Berlioz | Ride to the Abyss (from The Damnation of Faust) | |
| Britten | Apparition of the Spirit (from Curlew River) | |||
| Busoni | Berceuse Elegiaque (opening) | |||
| Elliott Carter | A celebration of some 100 x 150 notes | |||
| Mussorgsky | Opening of Act II of Boris Godunov | |||
| Pérotin | Viderunt Omnes (opening) | |||
| Ravel | Valses Nobles et sentimentales (conclusion) | |||
| Arnold Schoenberg | Orchestral Interlude from Gurrelieder | |||
| Stravinsky | Four Russian Peasant Songs | |||
| Stravinsky | Movements for piano and orchestra No. 4 | |||
| Tchaikovsky | Pas d'Action (from The Sleeping Beauty) | |||
| 22 Jun 1996 | Ian McEwan | Britten | Near the Black Mountains there I dwelt (Curlew River) | |
| Jonnie Johnson and Keith Richards | Tanqueray | |||
| Mozart | Adagio ma non troppo (from Quintet for strings in G minor) | |||
| Henry Purcell | Funeral Sentence – "Man that is born of a woman" | |||
| Bach | Goldberg Variations – variation 11 | |||
| Wynton Marsalis | "Hesitation" | |||
| Lennox Berkeley | Sonatina – 2nd movement | |||
| Bach | 3 part invention in C minor | |||
| Leonard Cohen | "Hallelujah" | |||
| 29 Jun 1996 | Sir Robin Knox-Johnston | Julian Slade | "We said we wouldn't look back from Salad Days" | |
| Handel | Allegro and Hornpipe from Water Music Suite in D major | |||
| Rodgers and Hammerstein | "Everything's Up to Date in Kansas City" (from Oklahoma) | |||
| Grieg | Excerpt from first movement of Piano Concerto | |||
| Tchaikovsky | Fantasy overture Romeo and Juliet | |||
| Jean Sibelius | Finlandia | |||
| Benny Goodman | "Sing, sing, sing" | |||
| Acker Bilk | "Stranger on the Shore" | |||
| Gilbert and Sullivan | "Where is the plaintiff", followed by chorus Comes a broken lover from Trial by Jury | |||
| 6 Jul 1996 | David Sylvester | Harrison Birtwistle | Tenebrae (Three Settings of Celan for soprano and 5 instruments) | |
| Guillaume De Machaut | Gloria (Messe de Notre Dame) | |||
| Henry Purcell | "Hark, each Tree" (Ode on St Cecilia's Day 1692) | |||
| Beethoven | "Mir ist so wunderbar" (Quartet from Fidelio Act 1) | |||
| Chopin | Prelude in E minor | |||
| Bach | Recit: "Die Welt, das Sundenhaus" & Aria: "Wie jammern mich doch die verkehrten Herzen" (Cantata no 170 "Vergnugte Ruh, Beliebte Seelenlust") | |||
| Bach | Fugue from "The Musical Offering" | |||
| 14 Sep 1996 | Marina Warner | Lewis Allan | "Strange Fruit" | |
| Antonín Dvořák | Cello Concerto (1st movement) | |||
| John Adams | Night Chorus (from The Death of Klinghoffer) | |||
| John Woolrich | The Turkish Mouse | |||
| Monteverdi | Il Combattimento di Tancredi e Clorinda (conclusion) | |||
| Ravel | "Le Jardin Féerique" (from Ma mère l'oye) | |||
| Schubert | Gretchen am Spinnrade | |||
| Stravinsky | Airs by a stream (from L'Histoire du Soldat) | |||
| 21 Sep 1996 | Nigel Rees | John Gay | "Virgins are like the Fair Flower" (from The Beggar's Opera) | |
| Haydn | Kyrie (from the Nelson Mass) | |||
| Felix Mendelssohn | Overture to Victor Hugo's Ruy Blas | |||
| Mozart | Piano Concerto in D minor, K. 466 (2nd movement – Romance) | |||
| Rachmaninofff | Prelude in C-sharp minor, arr. Wood | |||
| Alexander Scriabin | Étude in C-sharp minor, Op. 2, No. 1 | |||
| Tchaikovsky | Gremin's Aria (from Eugene Onegin, act 3, scene 2) | |||
| 28 Sep 1996 | Tessa Blackstone | Wagner | Prelude to Die Meistersinger | |
| Stravinsky | The Tresses (Tableau 1 from Les Noces) | |||
| Mozart | Voi che sapete (from Le Nozze di Figaro) | |||
| Tchaikovsky | Waltz (from The Sleeping Beauty), Act 1) | |||
| Beethoven | Symphony No. 8 in F, Op. 93 (4th movement – Allegro vivace) | |||
| Jerome Kern | "Pick yourself up" | |||
| Mahler | "Der Abschied" (Das Lied von der Erde) | |||
| Mozart | Violin Concerto No. 3 in G, K.216 (3rd movement – Rondo, allegro) | |||
| 5 Oct 1996 | Craig Raine | Mussorgsky | Ballet of the chicks in their shells (from Pictures at an Exhibition) arr. Yamashita | |
| Bizet | "Beat out dat rhythm on a drum" | |||
| Handel | "Ev'ry valley shall be exalted" (from Messiah) | |||
| Haydn | Kyrie (from Missa in tempore belli) | |||
| Charles Ives | Memories (Very Pleasant: Rather Sad) | |||
| Mahler | Wenn dein Mütterlein (from Kindertotenlieder) | |||
| Puccini | Tosca (conclusion of Act 2) | |||
| Shel Silverstein | Sylvia's Mother | |||
| Stravinsky | Royal March (from The Soldier's Tale) | |||
| Tchaikovsky | Chinese Dance (from The Nutcracker) | |||
| 12 Oct 1996 | George Melly | Cole Porter | "Let's do it" | |
| Gilbert and Sullivan | "Take a pair of sparkling eyes" (from The Gondoliers) | |||
| Edward Heyman and Robert Sour and Frank Eyton and Johnny Green | "Body and Soul" | |||
| Max Miller | "Here's a funny thing" (from Max at the Met) | |||
| Ottorino Respighi | Prologue (from The Birds) | |||
| Erik Satie | "Airs à faire fuir" | |||
| Sidney Bechet | Egyptian Fantasy | |||
| Stravinsky | Danse Sacrale (from The Rite of Spring) | |||
| William Walton | Popular Song (from Façade Suite) | |||
| 19 Oct 1996 | Paul Bailey | Bach | Nun komm', der Heiden Heiland, BWV 659 arr. Busoni | |
| Trad. Arr. Maurice Jacobson | Ca' the yowes arr. Jacobson | |||
| Alban Berg | Interlude – Invention on a key (D minor) (from Wozzeck) | |||
| Brahms | Sonata No. 1 in G, Op. 78 (1st movement – Vivace ma non troppo) | |||
| Leoš Janáček | S Bohem, rodný kraju (from The Diary of one who disappeared) | |||
| Mozart | Porgi amor (from Le Nozze di Figaro) | |||
| Schubert | "Der Leiermann" (from Die Winterreise) | |||
| Verdi | "Dio, che nell' alma infondere amor" (from Don Carlos) | |||
| 26 Oct 1996 | Hermione Lee | Bach | Courante (from Cello Suite No. 3 BWV 1009) | |
| Beethoven | Quartet in B-flat, Op. 130 (5th movement – Cavatina) | |||
| Britten | Parade + Départ (from Les illuminations) | |||
| Haydn | Et Resurrexit (from Theresienmesse) | |||
| Leoš Janáček | Quartet No. 2 – Intimate Letters (2nd movement – Adagio) | |||
| Mozart | Cosa mi narri + Sull'aria (from Le Nozze di Figaro) | |||
| Schubert | Sonata in A, D.959 (2nd movement – Andantino) | |||
| Verdi | Falstaff (beginning of Act I, Scene 2) | |||
| 2 Nov 1996 | Genista McIntosh | Heinrich Ignaz Franz Biber | Sonata & Die liederliche Gesellschaft von allerley Humor (drunken part writing) – 1st 2 movements from Battalia à 10 | |
| Mozart | "Laudamus te" (Mass in C minor) | |||
| Sergei Prokofiev | 1st movement – Piano Concerto No. 1 in D-flat, Op. 10 | |||
| Puccini | "Signore, ascolta ..." (Act 1, Turandot) | |||
| Rodgers and Hart | "Ten Cents a Dance" | |||
| Rossini | Kyrie (Petite Messe Solennelle) | |||
| Stravinsky | (O God, protect dear Tom ...) I go, I go to him (end of Act 1, The Rake's Progress) | |||
| Guy Woolfenden | "Come unto these yellow sands" (The Tempest) | |||
| 9 Nov 1996 | Cleo Laine | Carroll Coates | "Love comes and goes" | |
| Gabriel Fauré | En Sourdine | |||
| George Gershwin | "Soon" | |||
| Robert Herrick and Edward Purcell | "Passing by" | |||
| Horace Silver | "Ecaroh" | |||
| John Dankworth | "Sinners Rue" | |||
| John Rutter | "What sweeter music" | |||
| Eddie Sauter | Pan | |||
| Stephen Sondheim | "Not a day goes by" (Symphonic Sondheim) | |||
| Vivaldi | Spring – 1st movement | |||
| 16 Nov 1996 | Dr. Oliver Sacks | Schubert | Der Müller und der Bach (Die Schöne Müllerin) | |
| Stravinsky | Infernal Dance & Berceuse (Firebird Suite) | |||
| Mozart | Part of final scene (Don Giovanni) | |||
| Bach | Final chorus (St John Passion) | |||
| Chopin | Mazurka: Op. 7, No. 1, in B-flat | |||
| Mozart | Andante – 2nd movement (Sinfonia Concertante in E-flat for violin, viola and orchestra, K. 364) | |||
| 23 Nov 1996 | Sir John Drummond | Alban Berg | "Die Nachtigall" (from Seven Early Songs) | |
| Bortnyansky | Songs of the Cherubim No 7 (conclusion) | |||
| Chopin | Sonata No. 3 in B minor, Op. 58 | |||
| Haydn | Symphony No. 49 in F minor – "La Passione" | |||
| Jerome Kern | "The Way you look Tonight" | |||
| Poulenc | "La Reine des Mouettes" (from Métamorphoses) | |||
| Percy Bysshe Shelley | "Ode to the West Wind" | |||
| Stravinsky | Les Noces (Second tableau) | |||
| Verdi | Macbeth/Banquo duet (from Macbeth, Act I, Scene I) | |||
| 30 Nov 1996 | Eleanor Bron | Béla Bartók | Bluebeard's Castle (Doors 4 & 5) | |
| Chopin | Etude in A-flat, Op. 25, No. 1 | |||
| César Franck | Piano quintet (3rd movement) | |||
| Gerry Mulligan | Utter Chaos | |||
| Poulenc | Villageoises (Petites Pièces enfantines) | |||
| Ottorino Respighi | Pines of Rome (movements 1), I pini di Villa Borghese | |||
| Schubert | "Im Frühling" | |||
| 7 Dec 1996 | Malcolm Bradbury | Bach | Brandenburg Concerto No. 4 (1st movement – Allegro) | |
| Leonard Bernstein | "The best of all possible worlds" (from Candide) | |||
| Joseph Canteloube | "Baïlèro" (from Chants d'Auvergne) | |||
| Aaron Copland | Simple Gifts | |||
| Antonín Dvořák | Serenade for strings (1st movement – Moderato) | |||
| Michael Nyman | The Disposition of the Linen (from The Draughtsman's Contract) | |||
| Mozart | Oboe Concerto in C K.314 (1st movement – Allegro aperto) | |||
| Reicha | Clarinet Quintet Op. 107 (2nd movement – Andante siciliano) | |||
| 14 Dec 1996 | Alan Hollinghurst | Thomas Adès | Maid's Champagne Aria (Powder Her Face) | |
| Leoš Janáček | 3rd movement, String Quartet No. 2 "Intimate Letters" | |||
| Mahler | Symphony No. 3 – 1st movement opening | |||
| Mozart | "E Susanna non vien! ... Dove sono i bei momenti" : (The Marriage of Figaro, act 3) | |||
| Robert Schumann | Movements from 'Carnival' – "Papillons", "Lettres dansantes", "Chiarina", "Chopin", "Estrella" | |||
| Ralph Vaughan Williams | Scene 3 – Minuet of the Sons of Job and Their Wives – Job (A Masque for Dancing) | |||
| Wagner | O sink hernieder' (Tristan and Isolde Act 2) | |||
| 21 Dec 1996 | Sir Claus Moser | Monteverdi | Deus in adjutorium (from Vespers) | |
| Schubert | Gute Nacht (from Winterreise) | |||
| Schubert | Moment Musical No. 3 in F minor, D 780 | |||
| Mozart | Piano Concerto No. 23 in A, K 488 (2nd movement – Adagio) | |||
| Beethoven | Quartet in C, Op. 59/3 (4th movement – Allegro molto) | |||
| Mozart | Riconosci in quest'amplesso (from Le Nozze di Figaro, Act 3) | |||
| Wagner | Wotan's Farewell (from Die Walküre) | |||
| Beethoven | Fuga – Allegro ma non troppo (from Sonata in A-flat, Op. 110) | |||
| 28 Dec 1996 | Dame Edna Everage | Henry Bishop | "Home sweet home" | |
| Carl Davis | Why do we love Australia (from The Last Night of the Poms) | |||
| Charles Williams | The Dream of Olwen | |||
| Percy Grainger | "The Gum-suckers' March" (from In a Nutshell) | |||
| John Antill | "A Rain Dance" (from Corroboree) | |||
| Aram Khachaturian | "Sabre Dance" | |||
| Lehár | "Girls were made to love and kiss" (from Paganini) | |||
| May Brahe | "Bless this house" | |||
| Henry Purcell | "Nymphs and Shepherds" | |||
| Rutland Boughton | "Faery Song" (from The Immortal Hour) | |||
| William Garret James | "Bush Night Song" |
1997
| Date | Guest | Composer | Title | Performer / Label |
|---|---|---|---|---|
| 4 Jan 1997 | David Malouf | Richard Strauss | Metamorphosen for 23 solo strings (end) | |
| Schubert | Wandrers Nachtlied II | |||
| Bach | Fugue No. 24 in B minor, BWV 869 (from The Well-Tempered Clavier) | |||
| Chopin | Waltz No. 10 in B minor, Op. 69, No. 2 | |||
| Haydn | Andante from String Quartet in F minor, Op. 77, No. 2 | |||
| Mozart | Tutto e tranquillo e placido – Gente, gente, all'armi | |||
| 5 Apr 1997 | Roger Scruton | Bach | Double Concerto in D minor. BWV 1043 (1st movement – Vivace) | |
| Samuel Barber | Knoxville: Summer of 1915 | |||
| Alban Berg | Violin Concerto (conclusion) | |||
| Brahms | Geistliches Wiegenlied, Op. 91/2 | |||
| Leoš Janáček | Sinfonietta (conclusion) | |||
| Schubert | Symphony no. 9 in C (Trio from the scherzo) | |||
| Tomás Luis de Victoria | Caligaverunt oculi mei – Si est dolor – O vos omnes (from Tenebrae Responsories) | |||
| Wagner | Brunnhilde pleads with Wotan (from Die Walkure) | |||
| 12 Apr 1997 | John Tusa | Alexander Vasilyevich Alexandrov | USSR National Anthem (part) | |
| Beethoven | Quartet (Rasumovsky) op. 59 no 3 – Finale | |||
| Antonín Dvořák | Piano Quintet in A, Op. 81 | |||
| Schubert | Liebesbotschaft (Love's Message) – from Schwanengesang | |||
| Schubert | Piano Sonata in B-flat, Op. post. D 960, 3rd movement Scherzo (Allegro vivace con delicatezza) | |||
| Robert Schumann | Toccata Op. 7 | |||
| Verdi | Di quella pira – (II Trovatore, Act III) | |||
| Verdi | Rodrigo's (Marchese di Posa) death scene from Don Carlos (Act 4, Scene 2) | |||
| 19 Apr 1997 | Lord Armstrong | Bach | Jesu, meine freude BWV 227 (Gute Nacht....) | |
| William Byrd | Justorum animae | |||
| Handel | Fugue in C minor (Op. 3, No. 6) | |||
| Felix Mendelssohn | Piano trio in C minor (Finale – Allegro appassionato) | |||
| Mozart | Quintet for piano and wind K. 452 (2nd movement) | |||
| Richard Strauss | Capriccio – Moonlight music from last scene | |||
| Ralph Vaughan Williams | A Sea Symphony – Scherzo: The Waves | |||
| Peter Warlock | Sleep | |||
| 26 Apr 1997 | Adam Phillips | Boulez | ...explosante-fixe... | |
| Bob Dylan | "Tangled up in Blue" | |||
| Arnold Bax | Nonet | |||
| Billy Myles | "Have You Ever Loved a Woman" | |||
| Leoš Janáček | Con moto (1st movement – Quartet no 1 Kreutzer) | |||
| Lucinda Williams | "Lines around your eyes" | |||
| Robert Schumann | Fantasiestuck Op. 12 (Des Abends) | |||
| Wagner | Prelude to Das Rheingold | |||
| Anton Webern | 5 pieces for orchestra Op. 10 | |||
| 3 May 1997 | Siobhan Davies | Bach | Contrapunctus I (from The Art of Fugue) | |
| Gavin Bryars | Three Elegies for Nine Clarinets (No. 2) | |||
| Gerald Barry | Flamboys (conclusion) | |||
| Handel | Se m'ami, oh caro (from Aci, Galatea e Polifemo) | |||
| Kevin Volans | Third Dance (from White Man Sleeps) | |||
| Domenico Scarlatti | Sonata in B minor | |||
| Steve Reich | Clapping Music | |||
| Stravinsky | Les Noces (conclusion) | |||
| 10 May 1997 | Sir Roy Strong | Elgar | Symphony No 1 | |
| Johann Strauss Jr. | Klänge der Heimat – Czardas (from Die Fledermaus) | |||
| Thomas Morley | "It was a lover and his lass" | |||
| Sergei Prokofiev | Love Scene (from Romeo and Juliet Act 1) | |||
| Puccini | Closing Quartet (from La Bohème, Act III) | |||
| Henry Purcell | Fairest Isle (from King Arthur) | |||
| Richard Strauss | Countess's Reverie (from last act of Capriccio) | |||
| Tchaikovsky | Journey Sequence (from Act II of Nutcracker) | |||
| 17 May 1997 | Paul Daniel | Bach | Aus Liebe will mein Heiland sterben (from St Matthew Passion) | |
| Beethoven | Sonata in A-flat Op. 110 (1st movement) | |||
| Alban Berg | Act II, Scene 3 (from Wozzeck) | |||
| David Bowie | "Fame" (from the Stage album) | |||
| Monteverdi | Possente Spirto (from L'Orfeo) | |||
| Rodgers and Hammerstein | "June is bustin' out all over" | |||
| Schubert | Heimliches Lieben | |||
| 24 May 1997 | Peter Shaffer | Felix Mendelssohn | Octet Op. 20 (conclusion of 1st movement) arr. Toscanin | |
| Shakespeare | Deposition Scene (from Richard II) | |||
| Mozart | Piano Concerto in G, K 453 (3rd movement – Allegretto) | |||
| Verdi | "Si, pel ciel" (from Otello) | |||
| Rossini | "Zitto, zitto: piano, piano" (from Cenerentola – Act I) Luigi Alva (Don Ramiro) /Renato Capecchi | |||
| Britten | "Since she whom I loved" (from Holy Sonnets of John Donne) | |||
| Handel | "Eternal source of light Divine" (from Ode for the Birthday of Queen Anne) | |||
| Marc Wilkinson | Chant of Resurrection – Final Lament (from The Royal Hunt of the Sun) | |||
| Mozart | Kyrie (from Great Mass in C minor, K. 427) | |||
| 31 May 1997 | Richard Eyre | Bach | Suite No. 1 in G, BWV 1007 (1st & 2nd movements - Prelude & Allemande) | |
| Chuck Berry | School Day | |||
| Sam Coslow and Arthur Johnston | My Old Flame | |||
| Miles Davis | "So What" (from Kind of Blue) | |||
| Mozart | Fantasia in C minor | |||
| Arnold Schoenberg | Verklãrte Nacht (conclusion) | |||
| Jean Sibelius | Symphony No. 5 (3rd movement – conclusion) | |||
| Verdi | Sanctus (from Requiem) | |||
| 7 Jun 1997 | Michael Grade | Beethoven | Missa Solemnis (Benedictus – part) | |
| Billy Strayhorn | "Chelsea Bridge" | |||
| Max Bruch | Kol Nidre | |||
| Richard Strauss | Traum durch die Dämmerung | |||
| Jean Sibelius | Vivacissimo (3rd movement – Symphony no. 2) | |||
| Stephen Sondheim | "The Worst Pies in London" (Sweeney Todd) | |||
| Wagner | Siegfried (end of final scene) | |||
| 14 Jun 1997 | Baroness Warnock | Bach | Sonata in C, BWV 1033 (1st & 2nd movements – Andante & Allegro) | |
| Beethoven | Sonata in D minor, Op. 31/2 (last movement – Allegretto) | |||
| Felice and Boudleaux Bryant | "Bye Bye Love" | |||
| William Boyce | Symphony No. 8 in D minor (last movement – Tempo di Gavotta) | |||
| Henry Purcell | Rejoice in the Lord alway | |||
| Schubert | Quartet Movement in C minor, D.703 | |||
| Traditional music | "Mary Hamilton" | |||
| Jan Dismas Zelenka | Second Lamentation for Maundy Thursday | |||
| 21 Jun 1997 | George Walden | Béla Bartók | The Miraculous Mandarin (opening) | |
| Ralph Burns and Milton (Shorty) Rogers | Keen and Peachy | |||
| Mussorgsky | Prelude to Khovanshchina, Act I | |||
| Henry Purcell | "Man that is born of woman" (from Funeral Music for Queen Mary) | |||
| Schubert | Sonata in A, D 959 (2nd movement – andantino) | |||
| Sonny Bono | "The Beat goes on" | |||
| Stravinsky | The Soldier's Tale (exc. from part I) | |||
| Wagner | Träume (from Wesendonck-Lieder) | |||
| 28 Jun 1997 | Sheila Colvin[1] | Antonio Carlos Jobim | A Felicidade | |
| Britten | Fanfare + Villes (from Les Illuminations) | |||
| Oliver Knussen | Coursing | |||
| Schubert | Pause (from Die Schöne Müllerin, D795) | |||
| Tchaikovsky | Symphony No. 5 in E minor, Op. 64 (3rd movement – Waltz) | |||
| Verdi | Falstaff – Act 1, Scene 2 | |||
| Kurt Weill | Seeräuber-Jenny (from Die Dreigroschenoper) | |||
| 5 Jul 1997 | Denis Quilley | Britten | Hymn and Sonnet (from Serenade | |
| George Butterworth | Loveliest of trees (from A Shropshire Lad) | |||
| Debussy | String Quartet (2nd movement – scherzo) | |||
| Haydn | Symphony No 88 in G (finale – Allegro con spirito) | |||
| Lehár | Dein ist mein ganzes Herz from The Land of Smiles) | |||
| Lehár | Freunde das Leben ist Lebenswirth (from Giuditta) | |||
| Francis Poulenc | Nocturne No. 1 | |||
| Rodgers and Hammerstein | "What's the use of wonderin'" (from Carousel) | |||
| Jimmy Van Heusen and Johnny Burke | "Here's That Rainy Day" | |||
| 12 Jul 1997 | Lord Harewood | Beethoven | Slow movement (Symphony no 9) | |
| Britten | Sunday Morning (3rd Sea Interlude – opening of Act II, Peter Grimes) | |||
| Leoš Janáček | Prelude to Katya Kabanova | |||
| Sergei Prokofiev | Death of Prince Andrei (Scene XII War & Peace) | |||
| Arnold Schoenberg | Nun sag ich dir zum ersten Mal (Gurrelieder pt 1) | |||
| Schubert | Ungeduld (No. 7 of Die Schöne Müllerin) with orchestrated accompaniment | |||
| Verdi | Ah! Dite alla giovine' (La Traviata, Act III) | |||
| Wagner | Opening of Act II (The Valkyrie) | |||
| 13 Sep 1997 | Douglas Adams | Bach | Chromatic Fantasia and Fugue in D minor, BWV 903 | |
| Berlioz | The Shepherd's Farewell (from L'Enfance du Christ) | |||
| Britten | Rejoice in the Lamb (conclusion) | |||
| Gary Brooker and Keith Reid | "Holding on" | |||
| Ligeti | Éjszaka (night) | |||
| Mozart | Non so piu (from Le Nozze di Figaro) | |||
| Randy Newman | Glory Train (from Faust) | |||
| Robbie McIntosh | Gone Dancing | |||
| 20 Sep 1997 | Dame Felicity Lott | Schubert | An die Leier, D 737 | |
| Richard Strauss | Capriccio (conclusion of Scene 7) | |||
| Bach | "Have mercy, Lord" (from St Matthew Passion) | |||
| Brahms | Der Abend, Op. 64/2 | |||
| Handel | Va Tacito (from Giulio Cesare) | |||
| Jacques Brel | La Chanson des Vieux Amants | |||
| John Rutter | "The Lord bless you and keep you" | |||
| Mozart | Serenade in B-flat, K. 361 (3rd movement – Adagio) | |||
| 27 Sep 1997 | Sir Georg Solti | Béla Bartók | Concerto for Orchestra (Giuoco delle coppie - movement II) | |
| Beethoven | Fidelio (Quartet – Act I) | |||
| Mozart | The Marriage of Figaro (Sextet – Act III) | |||
| Richard Strauss | Der Rosenkavalier (Trio – Act III) | |||
| Verdi | Falstaff (final scene) | |||
| Wagner | Die Meistersinger von Nürnberg (Pogner's monologue from Act I) | |||
| 4 Oct 1997 | Ian Craft[2][3] | Richard Strauss | Love Duet (... Der Richtiger) (from Arabella Act II) | |
| Robert Simpson | Symphony No. 6 (conclusion) | |||
| Shostakovich | Symphony No. 8 (3rd movement – Allegro non troppo) | |||
| Bach | Partita No. 1 in B minor, BWV 1002 (4th movement – Tempo di Borea) | |||
| Beethoven | Fidelio Overture | |||
| John Blow | Venus!...Adonis!... (from Venus and Adonis Act I) | |||
| Bruckner | "Os justi meditabitur" | |||
| 11 Oct 1997 | Andrew Motion | Bach | Suite No. 6 in D, BWV 1012 (1st movement – Prélude) | |
| Beethoven | Sonata in B-flat, Op. 106 – Hammerklavier (3rd movement) | |||
| Bob Dylan | "Love minus Zero" | |||
| Britten | Sonnet (from Serenade) | |||
| Gluck | Ballet des Ombres Heureuses (from Orphée et Euridice) | |||
| Haydn | Und Gott schuf grosse Walfische (from The Creation) | |||
| Laurie Anderson | "Let X=X" (from album Big Science) | |||
| Steve Reich | Three Movements (2nd movement) | |||
| 18 Oct 1997 | Timothy Garton Ash | Anonymous work | Bogurodzica | |
| Beethoven | Violin Concerto in D, Op. 61 (last movement) | |||
| Britten | Dirge (from Serenade) | |||
| Mozart | Sinfonia Concertante in E-flat, K. 364 (last movement) | |||
| Peter Fischer | Apfelböck oder die Lilie auf dem Felde | |||
| Schubert | Erlkönig | |||
| Bedřich Smetana | Vltava (from Ma Vlast) | |||
| 25 Oct 1997 | Deborah McMillan[4][5] | Heinrich Ignaz Franz Biber | Prelude, Aria & Variations "The Annunciation' (The Five Joyful Mysteries) | |
| Blossom Dearie | "Et tu Bruce" | |||
| Mozart | Lacrimosa (Requiem) | |||
| Francis Poulenc | Concerto for two pianos & orchestra – 1st movement | |||
| Francis Poulenc | O magnum mysterium (Quartre Motets pour le Temps de Noel) | |||
| Sammy Fain and Jerry Seelen | "I hear the music now" | |||
| Arnold Schoenberg | Orchestral Prelude (Gurrelieder) | |||
| Schubert | La Pastorella | |||
| 1 Nov 1997 | Edmund White | Brahms | Sonata in F minor, Op. 120/1 (2nd movement) | |
| Britten | Cello Symphony, Op. 68 (2nd movement) | |||
| Gabriel Fauré | Berceuse (from Dolly Suite, Op. 56) | |||
| María Grever and Stanley Adams | "What a Difference a Day Makes" | |||
| Haydn | Symphony No. 45 in F♯ minor – Farewell (4th movement) | |||
| Leoš Janáček | Sonata 1. x. 1905 (1st movement) | |||
| Monteverdi | "Tornate, o cari baci" (from 7th book of madrigals) | |||
| Puccini | Chi il bel sogno di Doretta (from La Rondine, Act 1) | |||
| 8 Nov 1997 | Robert Ponsonby[6] | Albéniz | Triana (Iberia No. V) | |
| Beethoven | Variation No. 24 'Andante' (33 variations on a Waltz by Anton Diabelli op. 120) | |||
| Brahms | Liebeslieder Waltzes Op. 52 Nos. 1–6 | |||
| Leoš Janáček | 4th movement (Mladi) | |||
| Mozart | Quartet: Non ti fidar, o misera (Act 1, Don Giovanni) | |||
| Schubert | Abendbilder | |||
| Stravinsky | Pas de Deux (Divertimento – Le Baiser de la Fée) | |||
| Verdi | End of Act I, Scene 1 (Falstaff) | |||
| 15 Nov 1997 | A N Wilson | Shostakovich | 2nd movement Allegro (Symphony No. 10) | |
| Charles Villiers Stanford | Irish Rhapsody No. 4 in A minor, Op. 141 | |||
| Richard Strauss | "September" (Four Last Songs) | |||
| Béla Bartók | 3rd movement (Viola Concerto | |||
| Beethoven | 1st movement Allegretto (Quartet in F op. 135) | |||
| Bruckner | Locus Iste | |||
| Haydn | Quoniam Tu solus sanctus – Gloria (Nelson Mass) | |||
| Mozart | 3rd movement Allegretto (Piano Sonata in C K. 330) | |||
| 22 Nov 1997 | György Ligeti | Beethoven | Sonata in C minor, Op. 11 (2nd movement) | |
| Claude Vivier | "Lonely Child" | |||
| Conlon Nancarrow | Study No, 3a | |||
| Traditional music | Gënding: Dhenggung Turulare | |||
| Traditional music | Piéré | |||
| Traditional music | Whistle Ensemble | |||
| 29 Nov 1997 | Maureen Duffy | Trad. Arr. Harry Burleigh | Deep River (pub. Maecenas Music) arr. Burleigh | |
| Harold Adamson and Jimmy McHugh | "You're a Sweetheart" | |||
| William Byrd | Elegy on the death of Thomas Tallis | |||
| Handel | Non to basto, consorte + Io t'abbraccio (from Rodelinda) | |||
| Mozart | Clarinet Concerto in A, K. 622 (2nd movement – Adagio) | |||
| Henry Purcell | Sound the Trumpet (from Come ye Sons of Art) | |||
| Henry Purcell | Symphony (from Come ye Sons of Art) | |||
| Trad. Arr. Dolly Collins | Six Dukes | |||
| 6 Dec 1997 | Eduardo Paolozzi | Astor Piazzolla | "Songe d'une nuit d'été" | |
| Britten | Opening – Prelude The Emperor (The Prince of the Pagodas) | |||
| Count Basie and S. Martin | Miss Thing – part 1 | |||
| Honegger | Pacific 231 | |||
| Charles Ives | Central Park in the Dark | |||
| Cole Porter and Louis Henneve and Leon Palex | "Vous faites partie de moi" (I've got you under my skin) | |||
| Stravinsky | 1st part of Bedlam Scene (final act, The Rake's Progress) | |||
| Traditional Japanese | n/a | |||
| 13 Dec 1997 | Judith Weir | Trad. Arr. Copper | The Sweet Primeroses arr. Copper | |
| Bach | Gloria (from Mass in F. BWV 233) | |||
| Brahms | Sextet No. 1 in Bb, Op. 18 (2nd movement) | |||
| Britten | Carol (from Sacred and Profane) | |||
| Kevin Volans | White Man Sleeps (1st movement) | |||
| Carl Loewe | Herr Oluf | |||
| Stravinsky | Oedipus Rex (exc. from Act II) | |||
| Traditional music | Dzil Duet (from Accra, Ghana) | |||
| 20 Dec 1997 | Frederic Raphael | Antonio Carlos Jobim | "Desafinado" | |
| Bach | Goldberg Variations (Theme and Variations 1–3) | |||
| Beethoven | Violin Concerto (exc from 1st movement) | |||
| Haydn | Cello Concerto No. 2 in D (3rd movement) | |||
| Marguerite Monnot and Georges Moustaki | Milord | |||
| Mozart | Piano Sonata in C minor, K 457 (1st movement) | |||
| Robert Schumann | Piano Concerto, Op. 54 (2nd movement) | |||
| 27 Dec 1997 | Manfred Stürmer (A.K.A John Sessions) | Stravinsky | Dance of the Earth (end of Pt 1 – The Rite of Spring | |
| Brahms | Denn es gehet dem Menschen (No 1 of 4 Ernste Gesänge op. 121) | |||
| Mahler | fragment from 1st movement Allegro maestoso (Symphony No. 2 in C minor – Resurrection) | |||
| Ned Washington & Leigh Harline | "Give a little whistle" | |||
| Beethoven | Prestissimo (end of 3rd movement – Sonata No. 21 in C, Op. 53 Waldstein) | |||
| Brahms | Andante 3rd movement (Sonata in E-flat, Op. 120, No. 2) | |||
| Arnold Schoenberg | Sterne jubeln (from part 1 of Gurrelieder) | |||
| Richard Strauss | closing moments of Salome | |||
| Anton Webern | 2nd of 5 Pieces for orchestra op. 10 |
1998
| Date | Guest | Composer | Title | Performer / Label |
|---|---|---|---|---|
| 3 Jan 1998 | Susannah Clapp[7] | Béla Bartók | Bluebeard's Castle (opening) | |
| Beethoven | Sonata in F, Op. 24, "Spring" (1st movement – Allegro) | |||
| Moxy Früvous | The King of Spain | |||
| Robert Schumann | Romance Op. 94/2 | |||
| Verdi | Volta la terrea (from Un Ballo in Maschera, Act I) | |||
| Kurt Weill | Alabama Song (from Mahagonny) | |||
| 10 Jan 1998 | John Fortune | Bunny O'Riley | Dream Land | |
| Domenico Scarlatti | Sonata in A major, Kirkpatrick 208 | |||
| Domenico Scarlatti | Sonata in E major, Kirkpatrick 381 | |||
| Haydn | String Quartet in B-flat, Op. 76/4, "Sunrise" (3rd movement – Minuet) | |||
| Charles Ives | The Unanswered Question | |||
| Mugsy Spanier | Relaxin' at the Touro | |||
| Alexander Scriabin | Piano Concerto in F-sharp minor, Op. 20 (2nd movement – Andante) | |||
| 17 Jan 1998 | Louis de Bernières | Girolamo Frescobaldi | Aria con variazione detta la Frescobalda arr. Segovia | |
| Armando Rodrigues and Affonso Correia Leite | Cançao de Alcipe (from the film Bocage) | |||
| Bach | 1st movement Allegro (Brandenburg Concerto No. 4 BWV 1049) | |||
| Max Bruch | Andante-Allegro (Finale of Concerto for 2 pianos) | |||
| Chopin | Prelude No. 4 in E minor | |||
| Gounod | Sanctus (Messe Solennelle) | |||
| Mikis Theodorakis | "Apagoghi" | |||
| Traditional music | Cieliot Lindo | |||
| Victor Valencia | Mis Dolencias (Music from the Andes) | |||
| 24 Jan 1998 | Robert Gottlieb | Bizet | Allegro vivace (movement IV, Symphony in C) | |
| George Gershwin and Ira Gershwin | "A Foggy Day" | |||
| Umberto Giordano | Finale Act IV (Andrea Chénier) | |||
| W. C. Handy | "St Louis Blues" | |||
| Meyerbeer | "O Paradiso" (L'Africana) | |||
| Cole Porter | "Ridin' High" (from Red, Hot & Blue) | |||
| Tchaikovsky | Adagio – from No. 8 Pas d'action (Sleeping Beauty) | |||
| 31 Jan 1998 | Sir Roger Norrington | Bach | "Ich habe genug" (opening aria of Cantata BWV 82) | |
| Beethoven | Allegro con brio (1st movement – String Quartet in F minor) | |||
| Alban Berg | Violin Concerto | |||
| Berlioz | "Dido's Farewell" (Act V, Les Troyens) | |||
| William Byrd | Justorum animae | |||
| Henry Purcell | Chaconne (Dance for Chinese Man & Woman) | |||
| Heinrich Schütz | Final chorus from St Matthew Passion | |||
| 7 Feb 1998 | Jeremy Sams | Handel | "Oh Thou that tellest..." (Messiah) arr. Cedric Dent | |
| Chabrier | A la musique | |||
| Charles Trenet | L'Ame des Poètes | |||
| Jonathan Dove | Barbarina Alone (Figures in the Garden) | |||
| Lennox Berkeley | Prelude no 4 (6 Preludes) | |||
| Ravel | end of L'enfant et les Sortilèges | |||
| Schubert | Im Frühling | |||
| Stephen Sondheim | "Move On" (Sunday in the Park with George) | |||
| Hugo Wolf | Wire haben beide... (Italienisches Liederbuch) | |||
| 14 Feb 1998 | Claire Tomalin | Schubert | Octet in F, D.803 (2nd movement – Adagio – opening) | |
| Duparc | L'invitation au voyage | |||
| Beethoven | Sonata in C minor, Op. 111 (2nd movement – Arietta – conclusion) | |||
| Tchaikovsky | Waltz scene (from Eugene Onegin, Act II, Scene 1) | |||
| Robert Schumann | Zwielicht (from Liederkreis, Op. 39) | |||
| Bach | Goldberg Variations (Theme and variations 1–2) | |||
| Beethoven | Quartet in E minor, Op. 59/2 (3rd movemenvt – Allegretto) | |||
| 21 Feb 1998 | Lord Winston | Richard Strauss | Dance of the Seven Veils (from Salome) | |
| Schubert | Piano Trio in B-flat, D.898 (3rd movement – Scherzo) | |||
| Rossini | Sextet (from La Cenerentola, Act III) | |||
| Bach | Jauchzet, frohlocket (from Christmas Oratorio) | |||
| Carlo Grossi | Cantata Ebraica in dialogo | |||
| Trad. Arr. Michael Alpert and Alan Bern | Bukovina 212 (pub. Ja/Nein Musikverlag) | |||
| Wagner | Vassal's Drinking Song (from Götterdämmerung) | |||
| 28 Feb 1998 | Edward Said | Bach | Canon at the Ninth (from Goldberg Variations) | |
| Alban Berg | Wozzeck (Act I, Scene 1) | |||
| Berlioz | Les Troyens (final scene of Act II) | |||
| Chopin | Impromptu in F-sharp, Op. 36 | |||
| Messiaen | Amen des Anges, des Saints, du Chant des Oiseaux (from Visions de l'Amen) | |||
| Robert Schumann | Widmung (from Myrten, Op. 25) | |||
| Wagner | Das Rheingold (Prelude) | |||
| 7 Mar 1998 | James Bernard | Britten | Variation of the King of the South (from The Prince of the Pagodas) | |
| Debussy | Syrinx | |||
| George Gershwin | "Embraceable You" | |||
| Lennox Berkeley | Serenade for Strings, Op. 12 (1st movement – Vivace) | |||
| Liszt | Les jeux d'eaux à la Villa d'Este (from Années de Pélerinage) | |||
| Nellie Lutcher | "Hurry on down" | |||
| Sergei Rachmaninoff | Dnes spasenie (from Vespers, Op. 37) | |||
| Josef Suk | Love Song, Op. 7/1 (conclusion) | |||
| Verdi | Love Duet (from Otello, Act I) | |||
| 14 Mar 1998 | John Sessions | Beethoven | Molto adagio 'A Convalescent's Hymn of Thanksgiving to God, in the Lydian mode' (3rd movement – Quartet in A minor, Op. 132) | |
| Brahms | Close of 2nd movement Andante moderato (Symphony no 4 in E minor) | |||
| Mose Allison | Warhorse | |||
| Puccini | part of Act II scene 2 (Turandot) | |||
| Schubert | Im Abendrot | |||
| Shostakovich | Andante (2nd movement – Piano Concerto no 2 in F) | |||
| Stravinsky | Overture (Pulcinella) | |||
| Wagner | Prelude (Die Walküre) | |||
| 21 Mar 1998 | Anthony Minghella | Puccini | E lucevan le stelle (Tosca) | |
| Irene Higginbotham and Ervin Drake and Dan Fisher | "Good Morning Heartache" | |||
| Prince | "Nothing compares 2 U" (from album I do not want what I haven't got) | |||
| Egberto Gismonti | Palhaco (Editions Gismoni SUISA) | |||
| Bach | Prelude & fugue in C minor (Bk 1 Well-Tempered Clavier) | |||
| Vivaldi | Stabat Mater | |||
| Van Morrison | "This weight" (from album The Healing Game) | |||
| Bach | Prelude (Suite no 1 in G for solo cello) | |||
| 28 Mar 1998 | Ruth Padel | Bach | Double Concerto in D minor, BWV 1043 (2nd movement – Largo) | |
| Beethoven | Quartet in A minor, Op. 132 (1st movement – Assai sostenuto – Allegro) | |||
| Cole Porter | "Night and Day" | |||
| Razaf and Belledna | Kitchen Man (pub. Feldman & Co.) | |||
| Ruth Padel | Indian Red | |||
| Theodorakis | Arnisi | |||
| Traditional music | The Bold Irish Boy | |||
| Verdi | La Traviata (conclusion of Act I) | |||
| 4 Apr 1998 | Allan Gurganus | Charles Dibdin | Tom Bowling (pub. Boosey) arr. Britten | |
| Laura Nyro | I never meant to hurt you | |||
| Mahler | In diesem Wetter (from Kindertotenlieder) | |||
| Traditional Arr. Willis Patterson | My Lord, what a morning | |||
| Gurganus | Plays Well with Others (exc.) | |||
| Doris Tauber and Maceo Pinkard and William Tracey | "Them there eyes" | |||
| Bach | Aria (from Goldberg Variations, BWV 988) | |||
| Brahms | Intermezzo, Op. 118/2 | |||
| Duruflé | Sanctus (from Requiem, Op. 9) | |||
| Gurganus | Plays Well with Others (exc.) | |||
| 11 Apr 1998 | Lady Antonia Fraser | William Byrd | Kyrie (from Mass for Four Voices) | |
| Donizetti | Ohimè! sorge il tremendo fantasma ("Mad Scene" from Lucia di Lammermoor Act II) | |||
| Gluck | "Adieu, conservez dans votre âme" (from Iphigénie en Aulide) | |||
| Leoš Janáček | The Vixen's Dream (from The Cunning Little Vixen, Act I) | |||
| Mozart | "E Susanna non vien!... Dove sono" (from The Marriage of Figaro) | |||
| Verdi | Ascolta! Le porte dell'asil s'apron già...Dio, che nell'alma infondere ("Brotherhood duet" from Don Carlos, Act II) | |||
| Wagner | Siegmund's spring song (from Die Walküre, Act I) | |||
| 18 Apr 1998 | Sir Ian McKellen | Chopin | Polonaise in C minor op. 40 no 2 | |
| Elgar and Anthony Payne | part of 1st movement, Allegro molto maestoso (Symphony no 3) | |||
| Frank Loesser | "My Time of Day/I've Never been in love before" (Guys and Dolls) | |||
| Grieg | Prelude (Act 1), Wedding Scene (Peer Gynt) | |||
| Holst | 1st movement (A Moorside Suite) | |||
| Jule Styne and Stephen Sondheim | Rose's Turn (Gypsy) | |||
| Stephen Sondheim | Being Alive (Company) | |||
| 25 Apr 1998 | Guy Woolfenden | Britten | Elegy (Serenade for tenor, horn and strings op. 31) | |
| Percy Grainger | Harkstow Grange (2nd movement, A Lincolnshire Posy) | |||
| Henry Purcell | Hear my prayer | |||
| Stephen Sondheim | Another hundred people (Company) | |||
| Michael Tippett | Adagio cantabile (Concerto for double string orchestra) | |||
| Verdi | Tutto nel mondo è burla (last scene, Falstaff) | |||
| William Walton | Andante comodo (1st movement – Viola Concerto) | |||
| 2 May 1998 | Barbara Trapido | Alessandro Scarlatti | Già il sole dal Gange (L'Honesta Negli Amori) | |
| Bach | Aria & Variations 1–5 (Goldberg Variations) | |||
| Britten | Dirge (Serenade op. 31) | |||
| Gluck | Dance of the Blessed Spirits (Orfeo ed Euridice) | |||
| Haydn | Benedictus (Mariazellermesse Missa Cellensis) | |||
| Leopold Mozart | Marche (1st movement Cassatio in G The Toy Symphony) | |||
| Henry Purcell | Come Ye Sons of Art (2nd movement of Ode on the Birthday of Queen Mary, 1694) | |||
| Traditional music | "Nkosi Sikelel' iAfrika" | |||
| 9 May 1998 | Alan Borg[8] | Ligeti | "A Long Sad Tale" (from Nonsense Madrigals) | |
| Thomas Linley the younger | "Arise! ye spirits of the storm" (from Music for The Tempest) | |||
| Henry Purcell | March (from Music for the Funeral of Queen Mary) | |||
| Wagner | Quintet (from Die Meistersinger, Act III) | |||
| Handel | Scherza infida (from Ariodante) | |||
| Beethoven | Symphony No. 5 in C minor, Op. 67 (1st movement – Allegro con brio) | |||
| Bach | Partita No. 1 in B-flat, BWV 825 (1st movement – Praeludium) | |||
| Beethoven | Grosse Fuge, Op. 133 (conclusion) | |||
| 16 May 1998 | Bernard MacLaverty | Anonymous work | Esposa e Mare de Deu (La Festa o Misteri D'Elx) | |
| Britten | Agnus Dei (Missa Brevis in D) | |||
| Leoš Janáček | Allegretto (Sinfonietta) | |||
| Mahler | Wenn dein Mütterlein tritt zur Tür herein (Kindertotenlieder) | |||
| Messiaen | End of final movement (Turangalila-Symphonie) | |||
| Mozart | "Il mio tesoro" (Don Giovanni) | |||
| Henry Purcell | "Tis women makes us love" | |||
| Schubert | no 2 Andantino (Moments musicaux) | |||
| Shostakovich | 2nd movement Allegro (Symphony no. 10 in E minor) | |||
| 23 May 1998 | Frances Partridge | Richard Strauss | Metamorphosen (conclusion) | |
| Schubert | Piano Trio in E-flat, D.929 (2nd movement) | |||
| Bach | Double Concerto in D minor, BWV 1043 (2nd movement – Largo ma non tanto) | |||
| Beethoven | Quartet in C-sharp minor | |||
| Handel | "O sleep, why dost thou leave me" (from Semele) | |||
| Monteverdi | Zefiro torna | |||
| Mozart | Piano Concerto in B-flat, K. 238 (1st movement) | |||
| Charles Trenet and Raoul Breton | Boum! | |||
| 30 May 1998 | William Boyd | Brahms | Horn Trio in E-flat, Op. 40 (1st movement – Andante – poco più animato) | |
| Brahms | Kanon 13 (from 13 Kanonen, Op. 113) | |||
| Frederick Delius | Violin Sonata No. 3 (1st movement – Slow) | |||
| Gabriel Fauré | Piano Quartet No. 1 in C minor, Op. 15 (3rd movement – Adagio) | |||
| Joseph Schwantner | Percussion Concerto (1st movement – Con forza) | |||
| Sergei Prokofiev | Cello Sonata in C, Op. 119 (2nd movement) | |||
| Stephen Sondheim | "Pretty Women" (from Sweeney Todd) | |||
| 6 Jun 1998 | Binjamin Wilkomirski | Beethoven | Violin Concerto in D: Op. 61 (2nd movement – Larghetto) | |
| Brahms | Clarinet Quintet in B minor, Op. 115 (1st movement – Allegro) | |||
| Mahler | Symphony No. 1 (2nd movement – Kräftig – exc.) | |||
| Mozart | "In diesen heil'gen Hallen" (from Die Zauberflöte) | |||
| Trad. Arr. Giora Feidman | Tatei Freilach | |||
| Trad. arr. Jacques Lasry | A Jewish Child of Poland | |||
| 13 Jun 1998 | Deborah Bull | Bach | Chaconne (5th movement, Partita no 2 in D BWV 1004) | |
| Vittorio Monti | Czardas | |||
| Mozart | "Laudate Dominum" (Vesperae solennes de confessore) | |||
| Francis Poulenc | Andante con moto (2nd movement, Piano Concerto) | |||
| Sparre Olsen | Old Village Songs from Lom (nos. 1,4,5,6) | |||
| Willie Nelson | "Crazy" | |||
| 20 Jun 1998 | Blake Morrison | Blake Morrison | The Ballad of the Yorkshire Ripper (exc.) | |
| Gavin Bryars | Cello Concerto (Farewell to Philosophy) (2nd movement – Più mosso) | |||
| John Lennon and Paul McCartney | "Fixing a Hole" (from Sgt Pepper) | |||
| Mahler | "Oft denk' ich, sie sind nur ausgegangen" (from Kindertotenlieder) | |||
| Miles Davis | "Spanish Key" (opening) | |||
| Mozart | Rex Tremendae (from Requiem, K. 626) | |||
| Philip Glass | North Star | |||
| Rodgers and Hammerstein | "Cock-Eyed Optimist" (from South Pacific) | |||
| Schubert | Piano Quintet in A, D.667 – "Trout" (3rd movement – Scherzo) | |||
| Stevie Wonder | "Living for the City" | |||
| 27 Jun 1998 | Sir Anthony Caro | Traditional music | "Early one morning" | |
| Stravinsky | "Here I stand" (from The Rake's Progress, Act I) | |||
| Mozart | Piano Concerto in D minor, K.466 (2nd movement – Romance) | |||
| Schubert | String Quintet in C, D.956 (conclusion of 2nd movement – Adagio) | |||
| Brahms | Denn wir habe hie (exc. from Ein Deutsches Requiem) | |||
| Haydn | Symphony No. 104 in D – "London" (Finale – spiritoso) | |||
| Mozart | 2Là ci darem la mano2 (from Don Giovanni, Act I) | |||
| Schubert | "Die liebe Farbe" (from Die schöne Müllerin, D.795) | |||
| 4 Jul 1998 | Chris Smith (?) | Antonín Dvořák | Cello Concerto in B minor, Op. 104 (exc. from 1st movement) | |
| George Gershwin | "Summertime" (from Porgy and Bess) | |||
| Machaut | Gloria (from Messe de Nostre Dame) | |||
| Mahler | Der Abschied (conclusion) (from Das Lied von der Erde) | |||
| Puccini | Mimi's Farewell (from La Bohème, Act III) | |||
| Schubert | String Quintet in C, D.956 (1st movement exposition) | |||
| Jean Sibelius | Symphony No. 2 (exc. from 3rd movement) | |||
| Kurt Weill | Ballad of Mack the Knife (from Die Dreigroschenoper) | |||
| 11 Jul 1998 | Amanda Holden | Robert Schumann | Study Op. 56/4 (Espressivo) arr. Debussy | |
| Debussy | Cello Sonata (1st movement – Prologue) | |||
| Handel | "Tu, preparati a morire" (from Ariodante) | |||
| Heiner Goebbels | Black on White (2nd movement) | |||
| Irving Berlin | "You can't get a man with a gun" | |||
| John Adams | Violin Concerto (3rd movement – Toccare – conclusion) | |||
| Mozart | Quintet in E-flat for piano and wind (2nd movement – Larghetto) | |||
| Tchaikovsky | Lensky's Aria (from Eugene Onegin) | |||
| 18 Jul 1998 | Professor Sir Michael Howard | Brahms | Violin Concerto in D, Op. 77 (2nd movement – Adagio) | |
| Johann Strauss II | Emperor Waltz | |||
| Mozart | Riconosci in quest'amplesso (from Le Nozze di Figaro, Act III) | |||
| Puccini | Che gelida manina (from La Bohème) | |||
| Rodgers and Hammerstein | "Oklahoma" (from Oklahoma) | |||
| Schubert | Quintet in A – "The Trout" (exc. from 1st movement – Allegro vivace) | |||
| Charles Trenet | "La Mer" | |||
| Verdi | Sanctus (from Requiem) | |||
| 25 Jul 1998 | Corin Redgrave | Beethoven | Allegro (1st movement, violin sonata no 5 in F "Spring") | |
| Britten | Romance (Variations on a theme of Frank Bridge) | |||
| Freddie Mercury | "Bohemian Rhapsody" | |||
| Irving Berlin | "I'm beginning to miss you" | |||
| Puccini | Che gelida manina (Act 1, La Bohème) | |||
| Arnold Schoenberg | No. 1 of Drei Kavierstücke op. 11 | |||
| Michael Tippett | Lento cantabile (2nd movement String Quartet no 1) | |||
| 1 Aug 1998 | Lord Gowrie | Thomas Adès | Dolcissimo ed espressivo (The Origin of the Harp) | |
| Alban Berg | Seele, wir bist du schöner (No. 1 of 5 Orchestral Songs Op. 4) | |||
| Harrison Birtwistle | The second hunt & temptation (Act II, Gawain) | |||
| Brahms | Nachtwache II – Ruhn sie? (no 2 of 5 Gesänge – Lieder und Romanzen op. 104) | |||
| Porter Grainger and Everett Robbins | "T'Aint Nobody's Bizness If I Do" (part) | |||
| Mozart | Kyrie (Mass in C minor K 427) | |||
| Arnold Schoenberg | Adagio (3rd movement, Piano Concerto) | |||
| Stravinsky | Part I (Symphony of Psalms) | |||
| Verdi | Solenne in quest'ora (La Forza del Destino) | |||
| 8 Aug 1998 | Richard Ingrams | Bach | Widerstehe doch der Sünde (exc.) (from Cantata, BWV 54) | |
| Brahms | Violin Sonata in A, Op. 100 (1st movement – Allegro amabile) | |||
| Frederick Delius | Fennimore and Gerda – Intermezzo | |||
| George Gershwin | "Embraceable You" | |||
| Mozart | Quintet in D, K.593 (2nd movement – Adagio) | |||
| Rachmaninoff | Prelude in G, No. 5 from Preludes, Op. 32 | |||
| Robert Schumann | Study No. 5 (from Symphonic Studies, Op. posth.) | |||
| 15 Aug 1998 | Jenny Uglow | Schubert | Adagio (part 2nd movement, String Quintet in C D 956) | |
| Haydn | In rosy mantle appears & By Thee with bliss (Part 3, The Creation) | |||
| Francis Poulenc | "Laudamus te" (Gloria) | |||
| Henry Purcell | "The earth trembled" | |||
| Anonymous work | Flying Bomb Kwela (Fire) | |||
| Beethoven | Fugue – closing of Sonata in A-flat, Op. 110 | |||
| Bertolt Brecht and Kurt Weill | "Alabama Moon" (Mahagonny) | |||
| Handel | Polonaise (4th movement, Concerto Grosso in E minor), Opus 6, number 3) | |||
| 29 Aug 1998 | Michael Birkett, 2nd Baron Birkett | Bernhard Flies | Wiegenlied | |
| Chopin | Sonata No. 3 in B minor, Op. 58 (1st movement – Allegro maestoso) | |||
| Leo Weiner | Serenade, Op. 3 (1st movement – Allegretto) | |||
| Medtner | Piano Concerto No. 3 in E minor, Op. 60 (exc. from finale) | |||
| Mozart | Symphony No. 34 in C, K.338 (Finale – Allegro vivace) | |||
| Puccini | Dovunque al mondo (from Madama Butterfly, Act I) | |||
| Richard Strauss | Ariadne auf Naxos (end of the Prologue) | |||
| 5 Sep 1998 | Michael Dibdin | Britten | Cello Symphony, Op. 68 (2nd movement – Presto inquieto) | |
| Charles Dibdin | Vaudeville (from The Ephesian Matron) | |||
| Domenico Scarlatti | Sonata in D, Kk.33 | |||
| Guillaume Dufay | Quel fronte signorille in paradiso | |||
| Mozart | Quartet in G, K.387 (4th movement – Molto Allegro) | |||
| Giovanni Pierluigi da Palestrina | Kyrie (from Missa Benedicta es) | |||
| Vivaldi | Cum dederit (from Nisi Dominus) | |||
| Blind Willie McTell | "Statesboro Blues" | |||
| 12 Sep 1998 | Alan Rusbridger | Valdemar Henrique | Boi-Bumbá arr. Patrick Russ | |
| Beethoven | Sonata in E, Op. 109 (3rd movement) | |||
| Billy Mayerl | Punch | |||
| Finley Quaye | "Your love gets sweeter" | |||
| George Benjamin | Invention II (from Three Inventions) | |||
| J. H. Maunder | Droop, sacred head (from Olivet to Calvary) | |||
| Wagner | Wotan's Farewell (exc.) (from Die Walküre, Act III) | |||
| Carl Maria von Weber | Clarinet Quintet in B-flat, Op. 34 (3rd movement – Menuetto: Capriccio presto) | |||
| 19 Sep 1998 | Bill Paterson | César Franck | Sonata in A (last movement – Allegretto poco mosso) arr. Delsart | |
| Berlioz | "Te Deum", Op. 22 (Tibi Omnes) | |||
| John Betjeman and Jim Parker (composer) | Eunice | |||
| Britten | Dawn (from Four Sea Interludes from Peter Grimes) | |||
| Alfredo Catalani | Ne andrò lontana | |||
| Schubert | Quartet in D minor, D.810 – "Death and the Maiden" (1st movement – Allegro – opening) | |||
| Traditional music | Annalese Bain/Phil Cunningham's Reel/Andy Brown's Reel | |||
| Traditional music | Martyrs | |||
| 26 Sep 1998 | Alan Titchmarsh | Gregorio Allegri | Miserere – opening | |
| Bizet | "Au fond du temple saint" (Act I, The Pearl Fishers) | |||
| Antonín Dvořák | Allegro con brio (1st movement, 8th symphony) | |||
| Elgar | Opening, 1st movement (Cello Concerto) | |||
| John Hughes | Cwm Rhondda (Mecolico) | |||
| Pat Metheny | "Always and Forever" | |||
| Rachmaninoff | 1st movement (Symphony No. 2) | |||
| Vivaldi | Gloria in excelsis Deo (1st movement, Gloria in D major, RV 589) | |||
| 3 Oct 1998 | The Duke of Kent | Bach | Qui tolllis peccata mundi (Gloria, B Minor Mass) | |
| Chopin | Nocturne in C minor, Opus 48 no 1 | |||
| Leoš Janáček | Boris & Kát'a's farewell (from last scene Kát'a Kabanová) | |||
| Mozart | Adagio (String Quartet in B-flat, K. 458 "The Hunt") | |||
| Schubert | Nacht und Träume, D 827 | |||
| Wagner | end of Dawn Duet & (part of) Siegfried's Rhine Journey (from Prologue, Götterdämmerung) | |||
| 10 Oct 1998 | Gilbert Kaplan | Aaron Copland | Billy the Kid (part of complete ballet) | |
| Charles Ives | Fugue: Andante moderato (3rd movement, Symphony no. 4) | |||
| Mahler | 1st movement (part), Symphony no 7 | |||
| Mahler | End of Finale (Symphony no 2) | |||
| Mahler | "Ich bin der Welt abhanden gekommen" (Rückert songs) | |||
| Mahler | Part of Andante, Symphony no. 6 | |||
| Sergei Prokofiev | Alexander's Entry into Pskov (final movement, Alexander Nevsky, op. 78) | |||
| Wagner | Final scene, Act III, Der Fliegende Holländer | |||
| 17 Oct 1998 | Tom Rosenthal | Bach | Prelude (Cello suite no. 1 in C) | |
| Beethoven | O namenlose Freude! (Act II, Fidelio) | |||
| Berlioz | Chanson d'Hylas (The Trojans) | |||
| Britten | Now the Great Bear and Pleiades (Act 1, Peter Grimes) | |||
| Manuel de Falla | En los jardines de la Sierra de Córdoba (movement 3 – Nights in the Gardens of Spain) | |||
| Leoš Janáček | Gloria (Glagolitic Mass) | |||
| Richard Strauss | Frühling (4 last songs) | |||
| Tchaikovsky | Duet from Act I, The Queen of Spades | |||
| Verdi | O si per ciel marmoreo giuro (close of Act II, Otello) | |||
| 24 Oct 1998 | Erich Segal | Bach | Prelude (Cello Suite no. 1 in C) | |
| Chopin | Waltz in C-sharp minor, Op. 64, No. 2 | |||
| Gilbert and Sullivan | "When I was a lad" (HMS Pinafore) | |||
| Gluck | "Che faro senza Euridice?" (Act III, Orfeo ed Euridice) | |||
| John Lennon and Paul McCartney | "Let It Be" | |||
| Mozart | Laudate Dominum (Vesperae solennes sde confessore) | |||
| Salamone Rossi | Adon olam | |||
| Shostakovich | Waltz (1st movement, Jazz Suite no. 1) | |||
| Thomas Tallis | Agnus Dei (Mass for Four Voices) | |||
| Kurt Weill and Bertolt Brecht | "Mack the Knife" | |||
| 31 Oct 1998 | Rabbi Julia Neuberger | Salomone De Rossi Ebreo | Baruch haba b'shem Adonai (Les Cantiques de Salomon) | |
| Richard Strauss | How engaging, how exciting (Die Fledermaus) | |||
| Robert Schumann | Ich Grolle Nicht (Dichterliebe) | |||
| Vincenzo Bellini | Casta Diva (Norma) | |||
| Fromental Halévy | Eleazar's Song (La Juive) | |||
| Haydn | Allegretto (Sonata in G minor Hob XVI:44) | |||
| Haydn | The Heavens are telling (The Creation) | |||
| Jean-Marie Leclair | Allegro assai – 4th movement (Sonata for flute, viola da gamba & continuo in D major, op. II, no. 8) | |||
| Irene Higginbotham and Ervin Drake and Dan Fisher | Mine is the Life Song | |||
| 7 Nov 1998 | Christopher Bruce | Barry Guy | Refrain, Chorale & Antiphon (1st section: "After the Rain") | |
| Dave Heath | Celtic Air (from "The Four Elements") | |||
| Handel | Act II scenes 6 & 7 ("Agrippina") | |||
| Mahler | "Wenn dein Mütterlein tritt zur Tür herein" (Kindertotenlieder) | |||
| Arnold Schoenberg | Moondrunk & Columbine (1st 2 movements: Pierrot Lunaire) | |||
| Traditional music | Barbara Allen | |||
| Traditional Music Arr. Incantation | Sikuriadas & "Ojos Azules" (Ghost Dances) | |||
| 14 Nov 1998 | Russell Hoban | Villoldo | El Choclo | |
| Carl Loewe | Tom der Reimer, op. 135 | |||
| Chopin | Mazurka in A minor op. 67, no. 4 | |||
| Donald Fagen | The Goodbye Look | |||
| Garbage | I'm only happy when it rains | |||
| Haydn | In the beginning... & there was light The first day (The Creation) | |||
| Sonny Terry and Brownie McGhee | "Freight Train" | |||
| Monk | "Round about Midnight" | |||
| Schubert | Der Leiermann (Winterreise) | |||
| 21 Nov 1998 | Marina Mahler[9] | Luigi Nono | 3 voci (Prometeo Suite 1992) | |
| Wagner | part of end of Act I (Parsifal) | |||
| Bach | Prelude No. 4 in C-sharp minor | |||
| Bach | Prelude No. 8 in E-flat minor | |||
| Bach | 2nd movement (Partita No. 4) | |||
| 28 Nov 1998 | Clive Swift | Gabriel Fauré | Mi-a-o ('Dolly' Suite op. 56), arr. Bream | |
| Berlioz | Le Repos de la Sainte Famille (L'Enfance du Christ) | |||
| Chopin | Allegro maestoso (1st movement, Sonata in B minor, op. 58) | |||
| Eric Coates | Calling all workers | |||
| Eric Ball | Journey into Freedom | |||
| Richard Strauss | The Dinner (Le Bourgeois Gentilhomme Suite op. 60) | |||
| Traditional music | Kol Nidrei | |||
| 5 Dec 1998 | Gillian Moore[10] | Burt Bacharach | "Say a little prayer" | |
| Harrison Birtwistle | Mark of Orpheus | |||
| Duke Ellington | "Thanks for the beautiful land on the delta" (New Orleans Suite) | |||
| Ligeti | Movimento preciso e meccanico (3rd movement, Chamber Concerto) | |||
| Henry Purcell | The Frost Scene' (Act III, King Arthur) | |||
| Traditional music | Tamuke (offering) for Shakuhachi | |||
| Turnage: Blood on the Floor | Junior Addict | |||
| 12 Dec 1998 | Armando Iannucci | Bach | Adagio – 1st movement, Sonata no 1 in G minor, BWV 1001, for solo violin | |
| Alban Berg | Adagio (finale of Violin Concerto) | |||
| John Adams | 3rd movement, 1st half 'Wild Nights' – Harmonium | |||
| Jerry Leiber and Mike Stoller | "Is that all there is?" | |||
| Carl Nielsen | Symphony No. 5 (1st movement) | |||
| P. D. Q. Bach | Madrigal "My bonnie lass she smelleth" (The Triumphs of Thusnelda) | |||
| Michael Tippett | "How can I cherish my man" & "Steal Away" (A Child of our Time) | |||
| 19 Dec 1998 | Robert Craft | Stravinsky | 3 Japanese Lyrics | |
| Stravinsky | Sektanskaya | |||
| Mozart | Serenade in B-flat, K. 361 (finale) | |||
| Beethoven | Symphony No. 5 in C minor, Op. 67 (1st movement – Allegro con brio) | |||
| François Couperin | Incipit Lamentatio + Quomodo sedet (from Leçons des Ténèbres) | |||
| Lassus | Kyrie (from Missa Osculetur me) | |||
| Mozart | Qui Tollis (from Mass in C minor, K.427) | |||
| Stravinsky | Les Noces (1st tableau) | |||
| 26 Dec 1998 | Lady Pilar Woffington (Aka John Sessions) | Hunter/Garcia | Attics of my life | |
| J. J. Cale | Cocaine | |||
| Wagner | End of Overture (The Flying Dutchman) | |||
| Puccini | Introduction (La Fanciulla del West) | |||
| Manuel De Falla | Ritual Fire Dance (El amor brujo) | |||
| Heitor Villa-Lobos | Aria (part) (Bachianas Brasileiras No. 5) | |||
| Puccini | End of Act II (Tosca) |
1999
| Date | Guest | Composer | Title | Performer / Label |
|---|---|---|---|---|
| 2 Jan 1999 | Brian Rix | Gene Roland | Exit Stage Left | |
| Gilbert and Sullivan | Painted Emblems + Ghosts' High Noon (from Ruddigore) | |||
| Jerome Kern | "Ol' Man River" (from Showboat) | |||
| Mahler | Symphony No. 3 (opening) | |||
| Tchaikovsky | Andante Cantabile, Op. 11 | |||
| Tommy Watt | Crumpets for the Count | |||
| Walter Donaldson | "Makin' Whoopee" | |||
| Gheorghe Zamfir | Doina de Jale | |||
| 9 Jan 1999 | Gita Mehta | Haydn | (Allegro 1st movement) String Quartet in B-flat major, Op. 76, No. 4 | |
| Jayadeva | Gita Govinda (scene II) | |||
| Teré Biné | Gita Mehta | |||
| Traditional music | Raga Lathangi | |||
| Nina Simone | "Sugar in my bowl" | |||
| Traditional music | Raga Sindhu Bhairati | |||
| Traditional music | Raga Yaman | |||
| Traditional music | Raga Yaman | |||
| 16 Jan 1999 | John Burningham | Rossini | Una voce poco fa (Barber of Seville) | |
| Schubert | Erlkonig S557a arr. Liszt | |||
| Richard Strauss | "Night, Sunrise, The Ascent" (opening – An Alpine Symphony) | |||
| Bach | Prelude (3rd Suite for cello in C BWV 1009) | |||
| Consuelo Velázquez | Besame mucho | |||
| Stefano Donaudy | O del mio amato ben | |||
| La Rocca and Larry Shields | "At the jazz band ball" | |||
| Mozart | "Deh! vieni all finestra" (Act II, Don Giovanni) | |||
| Dino Olivieri and Louis Poterat | "J'attendrai" | |||
| Traditional music | The Coolin | |||
| 23 Jan 1999 | John Fuller | Lutyens | "As I walked out one evening" | |
| John Fuller | Concerto for Double Bass | |||
| Sergei Prokofiev | Piano Concerto No. 4 in B-flat, Op. 53 (1st movement – Vivace) | |||
| Shostakovich | String Quartet No. 8 in C minor, Op. 110 (4th movement – Largo) | |||
| John Fuller | Trio | |||
| Francis Poulenc | Trio (1st movement – Presto) | |||
| Stravinsky | Violin Concerto (3rd movement – Aria II) | |||
| Karol Szymanowski | Violin Concerto No. 2, Op. 61 (3rd movement – Andantino) | |||
| Bill Russo | Gazelle | |||
| Britten | "Calypso" (from Cabaret Songs) | |||
| 30 Jan 1999 | Tom Phillips | Bach | Final chorus (St Matthew Passion) | |
| Harrison Birtwistle | Part of 1st & 2nd Lullabyes (Gawain) | |||
| Brahms | Denn alles Fleisch es ist wie Gras (Ein Deutsches Requiem) | |||
| John Cage | Sonata 1 (Sonatas & Interludes) | |||
| Antonín Dvořák | String quartet in F, Op. 96 (American) | |||
| Terry Riley | In C | |||
| Norbert Schultze and Hans Leip | Lili Marlene | |||
| Verdi | End of Act III (Otello) | |||
| Wagner | (Siegfried recalling the woodbird's song, just before he is killed – Act III Scene 2, Götterdämmerung) | |||
| 6 Feb 1999 | Sir Humphrey Maud[11] | Bach | Bourrées I & II (Suite no. 3 in C major BWV 1009) | |
| Benny Davis and Abner Silver | "Chasing Shadows" rec. 1935 | |||
| Mozart | Allegro (1st movement, String Quintet in G minor, KV 516) | |||
| Pärt | Cantus in Memory of Benjamin Britten | |||
| Astor Piazzolla | Milonga in D | |||
| Henry Purcell | Fantasia No 1 | |||
| Schubert | Andante (2nd movement, sonata in A D 664) | |||
| Bessie Smith and Stuart Balcom | "You've been a good ole wagon" – rec. 1925 | |||
| 13 Feb 1999 | Jo Shapcott | John Adams | Hoe-down (Mad Cow) (from Gnarly Buttons) | |
| Bach | Canon circularis per tonos (from Musical Offering, BWV 1079) | |||
| Britten | Hymn to St Cecilia (first part) | |||
| Gerald Finzi | Wonder (from Dies Natalis) | |||
| James MacMillan | Tryst (opening) | |||
| Jo Shapcott | "My Life asleep" | |||
| Jo Shapcott | The Mad Cow talks back | |||
| Keith Jarrett | "My Song" | |||
| Sergei Prokofiev | Sonata No. 2 in D minor, Op. 14 (last movement – Vivace) | |||
| Traditional music | Bubaran Hudan Mas | |||
| Traditional music | Torre del Viento | |||
| 20 Feb 1999 | Bernard Williams | Bach | Sarabande & Bourrée (English Suite no. 1 in A major BQV 806) | |
| Alban Berg | Altenberglieder | |||
| Debussy | Act II Scene 1 (Pelléas et Mélisande) | |||
| Elgar | Repent and be baptized (end of Part III, The Kingdom) | |||
| Mozart | Rondeau: Allegro (3rd movement, Duo No 1, K. 423) | |||
| Richard Strauss | Zueignung (no 1-8 songs, Op. 10) | |||
| 27 Feb 1999 | Philip Hensher | Thomas Adès | Fancy Aria (from Powder her face, Act I) | |
| Busoni | Sonatina No. 1 | |||
| Fat Boy Slim | "Praise You" | |||
| Nørgard | Symphony No. 2 (conclusion) | |||
| Arnold Schoenberg | Premonitions (No. 1 from Five Pieces for Orchestra, Op. 16) | |||
| Stravinsky | First pas de trois (from Agon) | |||
| Kurt Weill | Bilbao-Song (from Happy End) | |||
| Hugo Wolf | Heb' auf dein blondes Haupt (from Italian Songbook) | |||
| 6 Mar 1999 | Adrian Noble | Bach | Erbarme Dich (St Matthew Passion) | |
| Beethoven | Mir ist so wunderbar (from Fidelio) | |||
| Leonard Bernstein | Psalm 23 (Chichester Psalms) | |||
| Keith Jarrett | The Cologne Concert, 1975 Part I (part) | |||
| Monteverdi | Lament (Il Ritorno d'Ulisse in Patria) | |||
| Mozart | Signor guardate un poco & "Prayer trio" (Don Giovanni) | |||
| Henry Purcell | Chaconne – end of Act V (The Fairy Queen) | |||
| Shaun Davey | The Winter's End (adapted from score for RSC production of A Winter's Tale) | |||
| 13 Mar 1999 | Sir Jimmy Disprin (Aka John Sessions) | William Walton | Agincourt Song (Henry V) | |
| Britten | Billy Budd (opening) | |||
| Mozart | In uomini, sin soldati sperare fedelta? You think men and soldiers will be faithful? (Act I, Cosi fan tutte) | |||
| Ralph Vaughan Williams | Overture (The Wasps) | |||
| Richard Strauss | part of trio – end of Act III (Der Rosenkavalier) | |||
| Flanders & Swann | "The Hippopotamus Song" | |||
| Rodgers & Hammerstein | "There is nothing like a dame" (South Pacific) | |||
| 20 Mar 1999 | Ursula Owen | Wagner | "Liebestod" (from Tristan und Isolde), arr. Caine | |
| Richard Strauss | Morgen, Op. 27/4 | |||
| Schubert | Nacht und Traüme, D.827 | |||
| Haydn | Piano Trio No. 18 in E, Hob.XV/28 (2nd movement – Allegretto) | |||
| Jerome Kern | "The Folks who live on the Hill" | |||
| Constant Lambert | The Rio Grande (opening) | |||
| Messiaen | "Louange à l'Éternité de Jésus" (from Quartet for the End of Time) | |||
| Verdi | Ah! si maledetto, sospetto fatale (from Don Carlo) | |||
| 27 Mar 1999 | David Lodge | Trad. Arr. Aretha Franklin | "Going Down Slow" (from album Aretha Arrives), arr. Aretha Franklin | |
| André Previn | The Five of Us (A Different Kind of Blues) | |||
| Geoffrey Burgon | Young Martin in Love (Music from Martin Chuzzlewit) | |||
| John Lewis | "Django" | |||
| Ravel | "Pavane pour une Infante défunte" | |||
| Joaquín Rodrigo | Concerto de Aranjuez (Sketches of Spain) | |||
| Van Morrison | Slim Slow Slider (from album: Astral Weeks) | |||
| Tomás Luis de Victoria | "O quam gloriosum" | |||
| 3 Apr 1999 | David Suchet | Vivaldi | Concerto for four guitars in B minor, RV 580 (4th movement – Allegro) | |
| Carl Maria von Weber | Grand Duo Concertant, Op. 48 (Finale – Rondo: Allegro) | |||
| Carl Orff | O Fortuna (from Carmina Burana) | |||
| Antonio Salieri | Piano Concerto in C (3rd movement – Andantino) | |||
| Rachmaninoff | Piano Concerto No. 1 (2nd movement – Andante) | |||
| Mozart | Soave sia il vento (from Così fan tutte) | |||
| Camille Saint-Saëns | Symphony No. 3, Op. 78 (conclusion) | |||
| Mozart | Clarinet Concerto in A, K. 622 (2nd movement – Adagio) | |||
| 10 Apr 1999 | Vikram Seth | Carl Maria von Weber | Clarinet Quintet in B-flat, Op. 134 (3rd movement – Menuetto) | |
| Bach | Contrapunctus I (from The Art of Fugue) | |||
| Schubert | Erster Verlust, D.226 | |||
| Brian Wilson and Mike Love | "Fun, Fun, Fun" | |||
| Vivaldi | Manchester Sonata No. 1 in C (3rd movement – Largo) | |||
| N/A | Nightingale and muntjac | |||
| Traditional music | Raga Marwa | |||
| Alec Roth | Duet between Arion and the Dolphin (from Arion and the Dolphin) | |||
| Bach | Am Abend, da es kühle war (from St Matthew Passion) | |||
| Schubert | Der Kreuzzug, D.932 | |||
| 17 Apr 1999 | Jonathan Rée | Britten | Canticle 2 – Abraham and Isaac (conclusion) | |
| Hans Joachim Bach and Sten Axelson | Kannst du pfeifen, Johanna | arranger: H. Frommermann | ||
| Leoš Janáček | Osud | |||
| Mozart | Ich bin die erste Sängerin (from Der Schauspieldirektor) | |||
| Reicha | Quintet in A minor, Op. 100/5 (2nd movement – Andante con variazioni) | |||
| Rousseau | "J'ai perdu tout mon bonheur" (from Le Devin du Village) | |||
| Schubert | Erlkönig | |||
| Schubert | Quartet in B-flat, D.112 (Finale – presto) | |||
| Hugo Wolf | Bei einer Trauung (from Mörike-Lieder) | |||
| 24 Apr 1999 | Amelia Freedman[12] | Brahms | Clarinet Quintet in B minor, Op. 115 (3rd movement – Andantino) | |
| Debussy | Jeux de Vagues (from La Mer) | |||
| Gabriel Fauré | Une Sainte en son auréole + Puisque l'aube grandit (from La Bonne Chanson) | |||
| Neal Hefti | "The Kid from Red Bank" | |||
| Schubert | Trio in B-flat, D.898 (2nd movement – Andante un poco mosso) | |||
| Simon Holt | Eyes, to the Shadow (from Canciones) | |||
| Jule Styne and Stephen Sondheim | "Everything's Coming up Roses" (from Gypsy) | |||
| Kurt Weill | "My Ship" (from Lady in the Dark) | |||
| 1 May 1999 | Peter Porter | Bach | Schmücke dich, o liebe Seele, BWV 654 | |
| Britten | Since she whom I loved (from Holy Sonnets of John Donne) | |||
| Josquin | "Miserere mei, Deus" (conclusion) | |||
| Mozart | "Seid uns zum zweiten Mal willkommen" (from Die Zauberflöte) | |||
| Peter Porter | A Brahms Intermezzo | |||
| Richard Strauss | Die Frau ohne Schatten (conclusion of Act I) | |||
| Schiller | The Gods of Greece | |||
| Schubert | Die Götter Griechenlands | |||
| Stravinsky | "The sun is bright" (from The Rake's Progress, Act I, Scene 2) | |||
| Ralph Vaughan Williams | Symphony No. 5 (1st movement – Preludio: Moderato – opening) | |||
| 8 May 1999 | Susan Hill | Vincenzo Bellini | Allegro polonese (close of Concertino for Oboe in E-flat major) | |
| Lennox Berkeley and Robert Herrick | "How love came in" | |||
| Britten | Storm' (Sea Interlude II, Peter Grimes) | |||
| Britten and W. H. Auden | "When you're feeling like expressing your affection" | |||
| Elgar | "Where Corals Lie" (no 4 of Sea Pictures op. 37) | |||
| Handel | Lord, I trust thee | |||
| Mozart | Der Vogelfänger bin ich ja (Act I, Die Zauberflöte) | |||
| Hubert Parry | "I was glad" | |||
| Schubert | Danksagung an den Bach (Die schöne Müllerin, D 795) | |||
| Ralph Vaughan Williams and R. L. Stevenson | "Bright is the ring of words" | |||
| Walford Davies | "God be in my head" | |||
| 15 May 1999 | Sam West | Bach | Suite No. 3 in C, BWV 1009 (4th movement – Sarabande) | |
| Brian Eno and David Byrne | The Jezebel Spirit | |||
| Haydn Wood | 2Roses of Picardy" | |||
| Knussen | When I Heard the Learn'd Astronomer (from Whitman Settings, Op. 25) | |||
| Felix Mendelssohn | Octet in E-flat, Op. 20 (1st movement – Allegro moderato, ma con fuoco – opening) | |||
| Mussorgsky | Serenade (from Songs and Dances of Death) | |||
| Ravel | Piano Trio in A minor (3rd movement – Passacaille) | |||
| Stravinsky | Mysterious Circle of young Girls + Glorification of the Chosen Victim (from The Rite Of Spring) | |||
| Thelonious Monk | Raise Four | |||
| 22 May 1999 | Brian Sewell | Vincenzo Bellini | Adalgisa, Alma constanza (from Norma) | |
| Messiaen | Transports de Joie (from L'Ascension) | |||
| Mussorgsky | Coronation Scene (from Boris Godunov) | |||
| Henry Purcell | The Blessed Virgin's Expostulation | |||
| Richard Strauss | Beim Schlafengehen (from Four Last Songs) | |||
| Schubert | Ganymed, D.544 | |||
| Verdi | Ah, veglia, O Donna (from Rigoletto) | |||
| Wagner | Lohengrin (conclusion) | |||
| 29 May 1999 | Kenny Werner | Beethoven | Adagio (1st movement, String Quartet op. 131) | |
| Django Bates | "Early Bloomer" (album Winter Truce & Homes Blaze) | |||
| Elliott Carter | Fragment for String Quartet (1994) | |||
| John Kander and Fred Ebb | "New York New York" | |||
| Keith Jarrett | "Landscape for future earth" (album: Facing You) | |||
| Kenny Werner | Kandinsky/Back to Light (album: Paintings) | |||
| Ravel | Bolero (part) | |||
| Arnold Schoenberg | 4th & 5th movements (5 Orchestral Pieces, Op. 16) | |||
| 5 Jun 1999 | Mavis Cheek[13][14] | Brahms | Selig sind, die da Leid tragen (opening of Ein Deutsches Requiem) | |
| Con Conrad and Herb Magidson | "The Continental" | |||
| Easter Mattins | Bells of the Monastery & Procession (part) | |||
| Mozart | Andante – 2nd movement, Piano Concerto no 21 in C, K 467 | |||
| Puccini | "Te Deum" (end of Act I, Tosca) | |||
| Puccini | Mimi's death scene from "Mi chiamano Mimi.." (La Bohème) | |||
| Shostakovich | 1st movement, Symphony No. 5 | |||
| Stephen Sondheim | "Send in the Clowns" (A Little Night Music) | |||
| 12 Jun 1999 | Tony Palmer | Bob Dylan | "All along the Watchtower" | |
| Britten | "Hyde Park Aria" (from Owen Wingrave) | |||
| Billy Cowie | Kam Falla Mi! | |||
| Philip Glass | Mrs Alexander's outburst (from Satyagraha, Act II, Scene 1) | |||
| José Pablo Moncayo | Huapango (opening) | |||
| Puccini | Vissi d'Arte (from Tosca) | |||
| Rachmaninoff | Prelude in B minor, No. 10 from Preludes, Op. 32 | |||
| Shostakovich | Piano Concerto No. 2 in F, Op. 102 (2nd movement – Andante) | |||
| Ralph Vaughan Williams | A London Symphony (2nd movement – Lento – conclusion) | |||
| 19 Jun 1999 | Lady Natasha Spender | Bach | Fugue (2nd movement, Sonata No. 1 in G minor BWV 1001) | |
| Samuel Barber | Allegro vivace e leggero (2nd movement, Piano Sonata Op. 26) | |||
| Beethoven | Allegro appassionato (finale, String Quartet in A minor, Op. 132) | |||
| Britten | "Joe has gone fishing" (end of Act I, Peter Grimes) | |||
| Lennox Berkeley | Presto (2nd movement, Piano Sonata op. 20) | |||
| Mozart | Ach, ich fühls (Die Zauberflöte) | |||
| Schubert | 1st movement, Piano Sonata in B-flat | |||
| 26 Jun 1999 | Leonard Ingrams | Robert Schumann | Märchenbilder op. 113, no 3 – Rasch | |
| Richard Strauss | Verwandlung (part) & Mondlicht (closing of Daphne) | |||
| Anonymous work | "I will give my love an apple" | |||
| Anonymous work | "O Waly Waly" | |||
| Bach | Friede über Israel (Closing chorus of Whitsun Cantata BWV 34) | |||
| Haydn | Un certo ruscelletto – "Like a little brook..." (Il Mondo della Luna, Act III) | |||
| Hindemith | Trauermusik | |||
| Henry Purcell | Fantasia for 4 viols in C minor Z738 | |||
| Ralph Vaughan Williams | Evening Hymn (no 4 of Four Hymns for tenor, viola and piano) | |||
| Tomás Luis de Victoria | O vos omnes (Tenebrae Responsories) | |||
| 3 Jul 1999 | Peter Eyre | Vincenzo Bellini | Qui la voce sua soave ... (I Puritani) | |
| Chopin | Ballade No. 4 in F minor (part) | |||
| Elgar | 1st movement (opening), Piano Quintet in A minor Op. 84 | |||
| Messiaen | Ta Voix (Poèmes pour Mi) | |||
| Schubert | Das Wirtshaus (Winterreise) | |||
| Verdi | Dio ch nell'alma infondere (Don Carlos) | |||
| Wagner | Liebestod (Tristan und Isolde) | |||
| 10 Jul 1999 | Paul Levy | Bach | Was willst du dich, mein Geist, entsetzen (Cantata BWV 8 'Liebster Gott, wann werd ich sterben?') | |
| Beethoven | Andante & Vivace (1st movement, Sonata No. 4 in C major for cello & piano Op. 102, No. 1) | |||
| Alban Berg | Violin Concerto (1st movemenmt) | |||
| Sammy Cahn and Saul Chaplin and Sholom Secunda | "Bei mir bist du schoen" ("shayn") | |||
| Maschwitz and Jack Strachey | "These Foolish Things" (album: These Foolish Things) | |||
| Mozart | In diesen heil'gen Hallen (Act II, Magic Flute) | |||
| Robert Schumann | Die Beiden Grenadiere | |||
| Tchaikovsky | Prince Gremin's aria in praise of Tatyana (Act II, Eugene Onegin) | |||
| 17 Jul 1999 | Nichola McAuliffe | Britten | Moonlight (from Four Sea Interludes from Peter Grimes) | |
| Philip Glass | Dance V (from In the Upper Room) | |||
| Mozart | Il mio Tesoro (from Don Giovanni) | |||
| Arnold Schoenberg | Heimfahrt + O alter Duft (from Pierrot Lunaire) | |||
| Traditional music | El Soldado Ricante | |||
| Traditional music | Tuvan throat singing | |||
| Ralph Vaughan Williams | "Silent Noon" (from The House of Life) | |||
| Wagner | Rienzi Overture | |||
| 24 Jul 1999 | Dr. Anthony Stevens | Cole Porter | Experiment | |
| Debussy | String Quartet No 1 in G minor, Op. 10 (1st movement, Animé et très décidé) | |||
| Elgar | The Swimmer (Sea Pictures Op. 37) | |||
| Handel | From Harmony, from heavenly Harmony (Ode for St Cecilia's Day) | |||
| Kamilieris | Last evening in the taverna (Hasapiko – Butcher's Dance) | |||
| Francis Poulenc | Hommage à Schubert (Improvisations No. 12) | |||
| Henry Purcell | Sound the Trumpet (Come Ye Sons of Art) | |||
| Schubert | Wohin? (Die schöne Müllerin) | |||
| Stanford | The little Admiral (4th of Songs of the Fleet) | |||
| William Walton | En Famille (Façade) | |||
| 31 Jul 1999 | Lord Neill | Bach | Menuets I & II + Gigue (from Partita in B-flat, BWV 825) | |
| Beethoven | Septet in E-flat, Op. 20 (2nd movement – Adagio cantabile) | |||
| Britten | Peter Grimes (conclusion of Act I, Scene 1) | |||
| Haydn | Symphony No. 102 in B-flat (Finale – presto) | |||
| Leoš Janáček | Katya Kabanova (conclusion of Act II) | |||
| Liszt | Gnomenreigen | |||
| Montsalvatge | Divertimento No. 2 – Habañera | |||
| Mozart | O voto tremendo (from Idomeneo) | |||
| Robert Schumann | Im wunderschönen Monat Mai + Das ist ein Flöten und Geigen (from Dichterliebe) | |||
| 7 Aug 1999 | Stephen Bayley | Beethoven | Triple Concerto in C, Op. 56 (1st movement – Allegro – first part) | |
| Brahms | Denn alles Fleisch, es ist wie Gras (from A German Requiem) (first part) | |||
| Handel | Ombra mai fu (from Xerxes) | |||
| Mick Jagger and Keith Richards | "Gimmie Shelter" (pub ABKCO Music) | |||
| Puccini | "Bimba dagli occhi pieni di malìa" (from Madama Butterfly) | |||
| Domenico Scarlatti | Sonata in E, Kk.380 | |||
| Schubert | "An die Musik" | |||
| Ned Washington and Victor Young | A Hundred Years from Today | |||
| Kurt Weill | "September Song" (from Knickerbocker Holiday) | |||
| 14 Aug 1999 | Django Bates | Bob Dylan | "Just like a Woman" (from the album Songs of the Poets) | |
| Farmers Market | "Nell in the sky with Farmers" (from the album Musik fra Hybridene) | |||
| Charles Ives | Three Quarter-tone Pieces for Two Pianos (No. 1 – Largo) | |||
| Keith Jarrett | "Blossom" (from the album Belonging) | |||
| Fritz Kreisler | Caprice Viennois | |||
| Lester Young | "Lester Leaps In" (from the album Bird is Free) | |||
| Miles Davis | "Sivad" (exc.) (from the album Live-Evil) | |||
| N/A | Romanian folk music | |||
| Conlon Nancarrow | Study for Player Piano No. 40A | |||
| 21 Aug 1999 | Sophie Ryder[15][16] | Debussy | Golliwog's Cakewalk (Children's Corner) | |
| Trad. Mexican | La Iguana | |||
| Bach | Sicilienne (2nd movement, Sonata in E-flat major, BWV 1031 for flute and harpsichord) | |||
| Domenico Scarlatti | Sonata in B minor (L 449/Kp 27) | |||
| Liszt | Valse oubliée No. 1 in A minor | |||
| Morton Feldman | Why patterns? (part) | |||
| A. Marly and H. Zaret | "The Partisan" (from album: Songs from a Room) | |||
| Anthony Newley and Leslie Bricusse | "Feeling Good" | |||
| Antonio Carlos Jobim and Gene Lees | "Corcovado (Quiet Nights of Quiet Stars)" | |||
| Bach | "Herr, unser Herrscher" (end of opening chorus, St John Passion) | |||
| 28 Aug 1999 | Robert David MacDonald | Schubert | Nacht und Träume | |
| Richard Strauss | Recognition scene (from Elektra) (pub. Boosey) | |||
| Bach | "Bist du bei mir" | |||
| Vincenzo Bellini | Mira O Norma (from Norma) | |||
| Liszt | Le Triumphe Funèbre de Tasso (conclusion) | |||
| Sergei Prokofiev | Lullaby (from On Guard for Peace) | |||
| Ambroise Thomas | Connais-tu le pays (from Mignon) | |||
| Verdi | "Chi i bei di m'adduce ancora" | |||
| 4 Sep 1999 | Rainer Hersch | Handel | "The Arrival of the Queen of Sheba", arr. Hersch | |
| Handel | "Why do the Nations?" (from The Messiah: A Soulful Celebration) arr. Mervyn Warren | |||
| Schubert | Abschied + Die Taubenpost (from Schwanengesang) | |||
| Richard Strauss | Metamorphosen (conclusion) | |||
| Arnold Schoenberg | Musette (from Suite, Op. 25) | |||
| John Philip Sousa | "The Stars and Stripes Forever", arr. Horowitz | |||
| Charles-Valentin Alkan | Comme le Vent, Op. 39/1 (from 12 Studies in minor keys) | |||
| Bach | Concerto in A, BWV 1055 (3rd movement – Allegro ma non tanto) | |||
| Sandy Linzer and Denny Randell | "A Lover's Concerto" | |||
| 11 Sep 1999 | Jonathan Coe | Debussy | Interlude. Tempo di Minuetto (2nd movement, Sonata for flute, viola & harp) | |
| Herbert Howells | Merry Eye | |||
| Kenny Wheeler | Consolation (Part VI, The Sweet Time Suite) | |||
| Miklós Rózsa | Lento cantabile (2nd movement, Concerto for violin & orchestra Op. 24) | |||
| Francis Poulenc | Déploration (3rd movement, Oboe Sonata) | |||
| Robert Wyatt | Sea Song | |||
| 18 Sep 1999 | John Humphrys | Bach | Sarabande (from Suite No. 1 in G, BWV 1007) | |
| Beethoven | String Quartet in C♯ minor, Op. 131: (1st movement – Adagio non troppo) | |||
| Billy Strayhorn | "Take the A Train" | |||
| Elgar | Cello Concerto, Op. 85 (3rd movement – Adagio) | |||
| Duke Ellington and Johnny Hodges | "Weary Blues" | |||
| Gabriel Fauré | Sanctus (from Requiem, Op. 48) | |||
| Joseph Parry | "Myfanwy" | |||
| Paul Simon | "The Sound of Silence" | |||
| Rodgers and Hart | "Manhattan" | |||
| 25 Sep 1999 | Keith Swanwick[17] | Julia Eboly | untitled piano composition | |
| Elgar | Symphony No. 2 in E-flat, Op. 63 (3rd movement – Rondo: Presto) | |||
| John Lennon and Paul McCartney | "Ticket to Ride" | |||
| Ligeti | Musica Ricercata (1st movement) | |||
| Miles Davis | "Flamenco Sketches" (from Kind of Blue) | |||
| Schubert | Frühlingstraum (from Winterreise, D.911) | |||
| John Philip Sousa | "The Stars and Stripes for Ever" | |||
| Timbalada | Cadè O Timbau? | |||
| 2 Oct 1999 | William Lyne[18] | Haydn | 4th movement from String Quartet in B-flat, Op. 76, No. 4) | |
| Schubert | Die Taubenpost | |||
| Verdi | Duet, Act I "Dinne... alcun là von vedisti?" (Simon Boccanegra) | |||
| Handel | Scene 5 (part) – Act III, Saul | |||
| Johann Strauss II | Spiel ich die Unschuld vom Lande (Die Fledermaus) | |||
| Reynaldo Hahn | Tyndaris | |||
| François Couperin | "Les Barricades mysterieuses" (Livre de clavecin Book 2, Ordre 6) | |||
| Reynaldo Hahn | "L'heure exquise" (from Chansons grises) | |||
| Schubert | Andante con moto (Piano trio in E-flat, D 929) | |||
| 9 Oct 1999 | John Carey | Gregorio Allegri | Miserere | |
| Bach | Bourrées 1 and 2 (from Suite No. 4 in E-flat, BWV 1010) | |||
| Beethoven | Piano Trio in B-flat, Op. 97 – "Archduke" (4th movement – Allegro moderato – presto) | |||
| Gilbert and Sullivan | "If you're anxious for to shine" (from Patience) | |||
| Haydn | The Heavens are Telling (from The Creation) | |||
| Felix Mendelssohn | Violin Concerto in E minor, Op. 64 (Finale – Allegro molto vivace) | |||
| Verdi | "Ah, fors'é lui" (from La Traviata) | |||
| Carl Maria von Weber | Clarinet Concerto No. 2 in E-flat, Op. 74 | |||
| 16 Oct 1999 | Sidonie Goossens | Alban Berg | 7 Early Songs – No 6 Liebesode | |
| Britten | Nocturne for tenor, seven sol instruments and strings – 3rd movement "Encinctur'd with a twine of leaves" (with harp obbligato) | |||
| Britten | Young Person's Guide to the Orchestra | |||
| Frederick Delius | Brigg Fair | |||
| Elgar | Symphony No 1, 3rd movement | |||
| Sergei Prokofiev | Prelude, Op. 12, No. 7 (originally for piano) | |||
| Ravel | Introduction and Allegro | |||
| Ralph Vaughan Williams | Serenade to Music | |||
| 23 Oct 1999 | Al Alvarez | Al Alvarez | Ann Dancing | |
| Beethoven | Sonata in C minor, Op. 111 (2nd movement – Arietta) | |||
| Harry Ruby | 2There's a girl in the heart of Wheeling, West Virginia" | |||
| Leoš Janáček | "The barn owl has not flown away" (from On an Overgrown Path) | |||
| Mozart | Di scrivermi ogni giorno (from Così fan tutte) | |||
| Pérotin | Viderunt omnes (opening) | |||
| S. Silverstein | "Everybody's Makin' It Big But Me" | |||
| Schubert | Notturno in E-flat major, D897 (opening) | |||
| Jean Sibelius | Symphony No. 4 in A minor, Op. 63 (opening of last movement – Allegro) | |||
| 30 Oct 1999 | Jim Crace | Mahler | Symphony No. 5 – Funeral March arr. Caine | |
| Benedict Mason | Lighthouses of England and Wales (opening) | |||
| Jim Crace | Being Dead (opening) | |||
| John Adams | The Day Chorus (from The Death of Klinghoffer, Act II) | |||
| Julian Argüelles | Qaanaaq (from the album Skull View) | |||
| Louis Sclavis | Moi c'est S'Mariano (from the album Clarinettes) | |||
| Youssou N'Dour and Jean-Philippe Rykiel | "Tourista" (from the album The Guide (Wommat)) | |||
| Paganini | Sonata in A, Op. 3/1 | |||
| Francis Poulenc | Sonata for Two Clarinets (3rd movement – Vif) | |||
| Schubert | Impromptu in F minor, D.935/1 | |||
| 6 Nov 1999 | Robin JH Simon | Handel | "All we like sheep" (Messiah) | |
| William Byrd | Ave verum corpus | |||
| Henry Purcell | Dear pretty youth (Act IV, The Tempest) | |||
| Schubert | Der Erlkönig | |||
| Puccini | E gelida manina (La Bohème) | |||
| Verdi | E scherzo, od è follia (It is a joke, or madness) (Un Ballo in Maschera) | |||
| Chopin | Fantasie-Impromptu in C-sharp minor, Op. 66 | |||
| Mozart | Notte e giorno faticar (Act I, Don Giovanni) | |||
| Caradog Roberts | "I bob un sy'n ffyddlon" (tune: Rachie) | |||
| Rossini | Largo al factotum (Act I, Il barbiere di Siviglia) | |||
| 13 Nov 1999 | Anthony Sampson | Trad. Arr. Solomon Linda | Mbube arr. Linda | |
| Bach | Suite No. 2 in D minor, BWV 1008 (1st movement – Prélude) | |||
| Beethoven | Variations on "Ein Mädchen oder Weibchen", Op. 66 | |||
| Berlioz | Harold in Italy (1st movement – Harold in the Mountains – first part) | |||
| Bizet | Minuetto (from L'Arlésienne, Suite No. 2) | |||
| Hugh Masekela and Cedric Samson | "Thank you Madiba" (pub. Kayden Music/Warner Chappell) | |||
| Mozart | Final reconciliation scene (from Le Nozze di Figaro) | |||
| Puccini | Gratias agimus Tibi (from Messa di Gloria) | |||
| Verdi | Finale (from Falstaff, Act III) | |||
| 20 Nov 1999 | Gaia Servado[19] | Berlioz | Appearance of the Ghost of Hector (from Les Troyens, Act II) | |
| Debussy | Interlude (Descent into the vaults) (from Pelléas et Mélisande) | |||
| Mozart | Sento, o Dio (from Così fan Tutte) | |||
| Brahms | Symphony No. 2 in D, Op. 73 (2nd movement – Adagio non troppo) | |||
| Mozart | Symphony No. 40 in G minor. K.550 (2nd movemenvt – Andante) (first part) | |||
| Mussorgsky | Chorus of Priestesses (from Salammbô) | |||
| Rossini | William Tell | |||
| Verdi | É tardi (from La Traviata) | |||
| 27 Nov 1999 | John Morgan | Vincenzo Bellini | Mira, O Norma (from Norma) | |
| Brahms | Piano Trio No. 3 in C minor, Op. 101 (1st movement – Allegro energico) | |||
| Handel | "To Thee, Thou glorious Son" (from Theodora) | |||
| Haydn | Benedictus (from Missa Brevis Sancti Joannis de Deo – "Little Organ Mass") | |||
| Francis Poulenc | Reine des Mouettes (from Métamorphoses) | |||
| Schubert | Sonata in A, D.664 (2nd movement – Andante) | |||
| Robert Schumann | Im wunderschönen Monat Mai (from Dichterliebe, Op. 48) | |||
| Wagner | Wotan's Farewell (opening) (from Die Walküre) | |||
| 4 Dec 1999 | Jeremy Dixon[20] | Robert Schumann | Die alten bosen Lieder (from Dichterliebe, Op. 48) | |
| Richard Strauss | Ja, ist Sie da?... (from Der Rosenkavalier) (pub. Boosey) | |||
| Alan Price | "Poor People" (from O Lucky Man!) | |||
| Bach | Goldberg Variations (Variation 25) | |||
| Brahms | Intermezzo in B-flat minor, Op. 117/2 | |||
| Britten | The Children (from Who are these children, Op. 84) (pub. Faber) | |||
| Haydn | String Quartet in D, Op. 33/6 (2nd movement – Andante) | |||
| Conlon Nancarrow | Study No. 21 (Canon – X) (pub. Schott) | |||
| 11 Dec 1999 | Victoria Glendinning | Britten | One ever hangs where shelled roads part... (Agnus Dei – Part V, War Requiem) | |
| Chopin | Etude in E major Op. 10, No. 3 | |||
| Cole Porter | "True Love" (from High Society) | |||
| Handel | O Lovely Peace (Judas Maccabeus) | |||
| John Lennon and Paul McCartney | "The Long and Winding Road" | |||
| Mahler | end of Finale (1st Symphony) | |||
| Mozart | "Deh vieni, non tardar" (Come, do not delay..) – Act IV, The Marriage of Figaro | |||
| John Tavener | The Protecting Veil (opening) | |||
| 18 Dec 1999 | Simon Schama | Lonnie Carter and Little Walter | "Sittin' on top of the World" | |
| Leoš Janáček | The Cunning Little Vixen | |||
| Juan Luis Guerra | Ojalá que llueva café | |||
| Puccini | "Dunque è proprio finita" (from La Bohème, Act III) | |||
| Rodgers and Hart | "Manhattan" | |||
| Schubert | Impromptu in G-flat, D.899/3 | |||
| Schubert | Quintet in C, D.956 (3rd movement – Scherzo – first part) | |||
| Verdi | L'onore! Ladri (from Falstaff, Act I, Part 1) | |||
| Vivaldi | Flute Concerto in G minor, RV 439 – La Notte (3rd movemenvt – Largo: Il Sonno) | |||
| 25 Dec 1999 | Don Maguire (Aka John Sessions) | Philip Glass | Dance no 2 for Organ (part) | |
| John Cage | Fifty-six marches (3rd movement – 'A dip in the lake' for cello & toy instruments) | |||
| Lou Reed | "I'll be your mirror" | |||
| Laurie Anderson | "O Superman" (part) | |||
| Charles Ives | Prelude: Maestoso (1st movement, 4th symphony) | |||
| Jay Livingston and Ray Evans | Theme from Bonanza | |||
| Aaron Copland | Appalachian Spring (part) |
References
- ^ "ONE Magazine". Wp.iamone.co.uk. Retrieved 23 April 2017.
- ^ "BioNews – Home". Bionews.org.uk. Retrieved 23 April 2017.
- ^ "BBC NEWS – Programmes – Panorama – Professor Ian Craft". News.bbc.co.uk. Retrieved 23 April 2017.
- ^ Mackrell, Judith (10 August 2001). "Keeper of the flame". The Guardian. Retrieved 23 April 2017.
- ^ "National Dance Awards – Deborah MacMillan Feature". Nationaldanceawards.com. Retrieved 23 April 2017.
- ^ "Interview: Robert Ponsonby – A life among the stars". Scotsman.com. Retrieved 23 April 2017.
- ^ "Bloomsbury – Susannah Clapp – Susannah Clapp". Bloomsbury.com. Retrieved 23 April 2017.
- ^ "Onboard Team – Our Guest Speakers – Noble Caledonia". Noble-caledonia.co.uk. Retrieved 23 April 2017.
- ^ Henry, Marilyn (28 March 2006). "Munch painting sought". Articles.latimes.ocm. Retrieved 23 April 2017.
- ^ List of Private Passions episodes at IMDb
- ^ "Debrett's (biography)". Debretts.com. Retrieved 3 February 2019.
- ^ "Wigmore Hall". Wigmore-hall.org.uk. Archived from the original on 3 January 2015. Retrieved 23 April 2017.
- ^ "Mavis Cheek – Authors – Faber & Faber". Faber.co.uk. Retrieved 23 April 2017.
- ^ Bedell, Geraldine (2 March 2002). "This is my life – up to a point". The Guardian. Retrieved 23 April 2017.
- ^ "CASS Sculpture Foundation". Sculpture.org.uk. Retrieved 23 April 2017.
- ^ "(biography)". Sophieryder.org. Archived from the original on 26 May 2017. Retrieved 23 April 2017.
- ^ "Keith Swanwick". Sites.google.com. Retrieved 23 April 2017.
- ^ "Wigmore Hall (biography)". Wigmore-hall.org.uk. Retrieved 23 April 2017.
- ^ "Writer, Historian and Broadcaster Gaia Servadio". Gaiaservadio.com. Retrieved 23 April 2017.
- ^ "DIXON JONES – Jeremy Dixon and Edward Jones, architects of the Royal Opera House and the National Portrait Gallery". Dixonjones.co.uk. Retrieved 23 April 2017.