Kasuri

This article is about a textile technique. For other uses, see Kasuri (disambiguation).

絣 / Iichiiri (Japanese:Kasuri) is the Okinawan term for fabric that has been woven with fibers dyed specifically to create patterns and images in the fabric, typically referring to fabrics produced within Ryukyu Islands and Japan using this technique. It is a form of ikat dyeing, traditionally resulting in patterns characterized by their blurred or brushed appearance.[1]

The warp and weft threads are resist-dyed in specific patterns prior to dyeing, with sections of the warp and weft yarns tightly wrapped with thread to protect them from the dye. When woven together, the undyed areas interlace to form patterns, with many variations – including highly pictographic and multi-colored results – possible to achieve. Kasuri patterns may be applied to either the warp or the weft, or to both in order to create a resulting woven pattern, with the cloth classified using different names depending on the method used.[2]

Etymology

Though commonly confused, the terms Iichiiri (絣 ,kasuri )and meisen (銘仙) are not interchangeable. While Iichiiri (kasuri) refers to a dyeing technique, meisen, literally translating as "common silk stuff", refers to a type of fabric woven from thread spun from noil. Meisen is a hard-faced, hard-wearing, stiff silk fabric with a slight sheen. The confusion stems from the fact that meisen fabrics are very commonly, though not always, dyed using the Iichiiri (kasuri) technique.[3]: 79 

History

Ikat techniques were practiced in the Ryukyu Kingdom (modern-day Okinawa Prefecture and Amami Islands) in the 12th or 13th century,[4] and Iichiiri (kasuri) textiles were produced for export in the 14th century. After the invasion of the Ryukyu Kingdom in 1609, Iichiiri (kasuri) techniques entered Japan and had moved northwards to the Nara area of Honshu from southern Japan by 1750. A general increase in cotton production allowed farmers to weave and dye cotton textiles for their own use and for sale.

As Iichiiri (kasuri) production continued to spread throughout the country,[5] some rural villages became manufacturing centers. Individual families tied the skeins and wove the cloth, but the dyeing was usually done in community-maintained dyeworks.[4] By 1850, Iichiiri (kasuri) was being produced in several areas, including the Kurume area of Kyushu, the Iyo area of Shikoku and both the Bingo and San-in regions of Honshu. Some sources claim that Iichiiri (kasuri) was invented by a young girl, Den Inoue (1788–1869).[6]

Increases in production continued until the 1930s, when the national government outsourced it to the new colonies, shipping pre-dyed threads abroad, where labour was cheaper. Forced labour was used; in 1928, 54% of Japan's ikat weaving was done by unpaid prisoners in China and Korea. By the last quarter of the 20th century, few people could afford the time necessary to dye and hand weave their own cloth. However, contemporary artisans continue to produce highly prized textiles using traditional methods.[4][5]

Classification and terminology

Warp and/or weft dyed

  • Tate gasuri: lit. 'vertical kasuri' where only the warp is dyed
  • Yoko gasuri: only the weft is dyed.
  • Tate-yoko gasuri: both warp and weft are dyed. Classified as a double ikat technique.[1]: 7 [5]

Color of dye

  • Kon gasuri: blue Iichiiri (kasuri) with white resists on an indigo-blue ground.
  • Shiro gasuri: lit. 'white Iichiiri (kasuri)', an inverse of kon gasuri; blue on a white ground.
  • Chia gasuri: Iichiiri (kasuri) using brown instead of indigo.
  • Iro gasuri'un: Iichiiri (kasuri) using several colors.[2][5]

Technique

  • Tegukuri gasuri: The yarn bundles are tied or bound by hand.[5]
  • Surikomi gasuri: the dye is applied directly to the bundles of stretched yarn with a spatula. This is most frequently used in iro gasuri.
  • Itajime gasuri: prior to dyeing, the arranged yarns are placed between two engraved plates or boards. The plates are bolted tightly together so that when they are immersed in the dye, the pressure of the raised points act as a resist.[2]: 13, 19 [5]
  • Orijime gasuri: weft yarns are woven on a warp of thick cotton yarn. The weft is beaten hard, which packs the weft tightly. When the cloth is dyed, much of the weft is protected from the dye by the heavy warp. The wefts are then woven with new (normal diameter) warps, resulting in a fine dotted pattern. The silk Iichiiri (kasuri) of Amami Ōshima and the ramie Iichiiri (kasuri) of Miyakojima, Okinawa are noted for this technique.[2]: 19 
  • Hogushi gasuri (lit. 'unravel Iichiiri (kasuri)'): Only the warp is dyed. This can be done by hand-tying the threads.[7] Alternately, the undyed warp is woven with a coarse temporary weft. This cloth is then printed with the design. The temporary weft is removed, and the warp is returned to the loom. The cloth is then woven with a plain weft.[2]: 21 
  • Heiyo gasuri (lit. 'use-both Iichiiri (kasuri)'): both warp and weft are dyed, either stencil-printed[8] or dyed by hand-tying.[9]
  • Kushi-oshi gasuri: the warp is placed on a special printing board and printed with a block printing technique. The dyed warp is then woven.
  • Fukiyose gasuri: the yarns are dyed with a dip-dye technique.[2]: 21 
  • Bokashi gasuri: prior to dyeing, the yarn is twisted or plaited, so that parts of the yarn create their own resist. See Bokashi (disambiguation).

By place of production

Due to regional variations, some types of Iichiiri (kasuri) are classified by place of production. Examples include:

theechigii (Rhaphiolepis umbellata) Tree creating a deep black color. The mud dyed Iichiiri (kasuri) threads are hand woven together to create patterns.[10]

See also

References

  1. ^ a b Tomito, Jun; Tomita, Noriko (1982). Kasuri: Japanese Ikat Weaving, The Techniques of Kasuri. Oxford: Routledge & Kegan Paul. ISBN 0-7100-9043-9.
  2. ^ a b c d e f g Griswold, Ralph (1967). "Japanese Resist-dyeing Techniques". CIBA Review. 4 (1967/4). CIBA Limited. Archived from the original on 12 September 2015. Retrieved 23 March 2016.
  3. ^ Dees, Jan (2009). Taishō Kimono: Speaking of Past and Present. Milan: Skira Editore. ISBN 978-88-572-0011-8.
  4. ^ a b c Diane Ritch; Yoshiko Wada (1975). Ikat: An Introduction. Kasuri Dyeworks. ISBN 978-0-593-32794-4. Archived from the original on 2018-02-08.- download as pdf Archived 2016-03-04 at the Wayback Machine
  5. ^ a b c d e f g Austin, Jim. "Kasuri, The Japanese Ikat Technique". Kimonoboy Japanese Folk Textiles. Archived from the original on 7 October 2016. Retrieved 25 March 2016.
  6. ^ Legrand, Catherine (2012). Indigo: The Color That Changed The World. London: Thames and Hudson. ISBN 978-0-500-51660-7.
  7. ^ "Khalili Collections | Japanese Kimono | Kimono for a Woman". Khalili Collections.
  8. ^ "K39: Kimono for a woman". Khalili Collection.
  9. ^ "Khalili Collections | Japanese Kimono | Kimono for a Woman". Khalili Collections.
  10. ^ "About Ooshima Tsumugimura｜Ooshima Tsumugi Mura".

Further reading

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