Hilary Neroni
Hilary Neroni | |
|---|---|
| Academic background | |
| Alma mater | Clark University (B.A.) University of Southern California (M.A., PhD) |
| Thesis | Girls, Guns, and Romance: The Violent Woman in Contemporary American Film (1999) |
| Doctoral advisor | Todd Boyd, Marsha Kinder, Douglas Thomas |
| Other advisor | Walter A. Davis |
| Academic work | |
| Discipline | Film studies |
| Institutions | University of Vermont |
| Website | https://www.uvm.edu/cas/english/profile/hilary-neroni |
Hilary Lynn Neroni (born 1969) is a professor of English literature and film studies at the University of Vermont.[1]
Life and works
- Neroni, Hilary (2016-01-28). Feminist Film Theory and Cléo from 5 to 7. Bloomsbury Publishing USA. ISBN 978-1-5013-1371-4.[2][3]
- Neroni, Hilary (2015-05-05). The Subject of Torture: Psychoanalysis and Biopolitics in Television and Film. Columbia University Press. doi:10.7312/columbia/9780231170710.001.0001. ISBN 978-0-231-17071-0.[4][5][6][7]
- Neroni, Hilary (2012-02-16). The Violent Woman: Femininity, Narrative, and Violence in Contemporary American Cinema. SUNY Press. doi:10.1515/9780791483640. ISBN 978-0-7914-8364-0.[8][9]
References
- ^ "Hilary Neroni | Department of English | The University of Vermont". www.uvm.edu. Retrieved 2025-12-15.
- ^ Smyth, Sarah Louise (2020-09-01). "Feminist film theory and 'Cléo from 5 to 7': by Hilary Neroni, London, New York, Bloomsbury, 2016, 160 pp., £15.99 (paperback), ISBN 978-1-5013-1369-1". Studies in European Cinema. 17 (3): 273–275. doi:10.1080/17411548.2018.1461590. ISSN 1741-1548.
- ^ Herbeck, Mariah Devereux (2017). "Feminist Film Theory and Cléo de 5 à 7 by Hilary Neroni (review)". The French Review. 90 (3): 241–242. doi:10.1353/tfr.2017.0354. ISSN 2329-7131.
- ^ Middleton, Jason (2016). "The Subject of Torture: Psychoanalysis and Biopolitics in Television and Film by Hilary Neroni (review)". Cinema Journal. 56 (1): 143–147. ISSN 2578-4919.
- ^ MacLeod, Douglas Jr. (2018). "The Subject of Torture: Psychoanalysis & Biopolitics in Television & Film by Hilary Neroni (review)". Film & History: An Interdisciplinary Journal. 48 (2): 25–27. doi:10.1353/flm.2018.0035. ISSN 1548-9922.
- ^ Flisfeder, Matthew (2016). "The Torturer's Smile as the Stain of Enjoyment". Discourse. 38 (2): 285–290. doi:10.13110/discourse.38.2.0285. ISSN 1536-1810.
- ^ Hudecova, Eva R. (2019). "The Feedback Loop of Torture". Cultural Critique. 104 (1): 170–191. doi:10.1353/cul.2019.0034. ISSN 1460-2458.
- ^ Nathanson, Elizabeth (2006). "Tough as Nails". Framework: The Journal of Cinema and Media. 47 (1): 126–128. doi:10.1353/frm.2006.0004. ISSN 1559-7989.
- ^ Covey, William B (September 2006). "Reckoning Day: Race, Representation, and Redress in Women's Literature and Film". MFS Modern Fiction Studies. 52 (3): 705–715. doi:10.1353/mfs.2006.0057. ISSN 1080-658X.