Geeta Nizami

Geeta Nizami
Nizami in 1946
Born
Rashida Begum

Died2008 (2009)
Other namesGeeta Vedi
Occupations
  • Actress
  • dancer
Years active1944–51
Spouse(s)
Barkat Nizami
(m. 1944; div. 1946)

B. D. Vedi
(m. 1946; sep. 1948)
RelativesMumtaz Shanti (niece; through first marriage)

Rashida Begum,[1] better known by stage name Geeta Nizami, was an Indian actress who worked in Hindi-language films. She was particularly known for her dancing skills.[2][3] Her notable films include Panna (1944), Gajre (1948), Beqasoor (1950) and Hulchul (1951).

Career

Geeta Nizami began her acting career with a leading role in the war thriller Panna (1944). The film proved to be a runaway success and opened her to public recognition.[4] She subsequently appeared in a supporting role in the Muslim social drama Gaon Ki Gori (1945), which was one of the highest grossing films of the year.[5]

This initial success was followed by lead roles in the romance Sassi Punnu and the thriller Room No. 9 (both 1946); the latter being directed by her then-husband B. D. Vedi.[6][7] She played the titular character in Paroo (1947), a drama criticising prevalent casteism in Indian society, to mixed reviews.[8][9]

Geeta later shifted to supporting roles in high-profile productions, which included Gajre (1948),[10][11] Beqasoor (1950) and Hulchul (1951).[12][13] Her only film in lead role during this period was Karwat (1949), produced by B. R. Chopra and directed by Vedi. The film was a box office flop.[14][15][16]

Geeta migrated to Pakistan in 1952, where she continued working on stage.[17][18]

Personal life

Geeta Nizami was first married to film director Barkat Nizami (the uncle of actress Mumtaz Shanti), whom she divorced quickly.[19][20] In 1946, Geeta married film director B. D. Vedi in Kolhapur after converting from Islam[17] to Hinduism.[21] The couple was separated by 1948. She briefly used the name "Geeta Vedi" during this period.[22]

She reportedly shifted to the newly-created Pakistan in April 1952.[18][17] She died in 2008.[1]

Filmography

Year Film Role Notes
1944 Panna Panna
1945 Gaon Ki Gori
1946 Sassi Punnu
1946 Room No. 9
1947 Paroo Paroo
1948 Gajre Tara
1949 Karwat
1950 Beqasoor Radha
1951 Hulchul

References

  1. ^ a b "Geeta Nizami". Cinemaazi. Retrieved 20 October 2025.
  2. ^ Kapoor, Shyamchand. Aadhunik Nibandh (in Hindi). Kitabghar Prakashan. p. 99. ISBN 978-81-88118-65-6.
  3. ^ Hindī sinemā kā sunaharā saphara (in Hindi). Sinevāṇī Prakāśana. 1988.
  4. ^ FilmIndia (1946). New York The Museum of Modern Art Library. Bombay. 1946. pp. 30, 91.{{cite book}}: CS1 maint: others (link)
  5. ^ "Top Earners 1945". Box Office India website. Archived from the original on 16 October 2013. Retrieved 25 August 2025.
  6. ^ Rangoonwalla, Firoze; Das, Vishwanath (1970). Indian Filmography: Silent & Hindi Films, 1897-1969. J. Udeshi. p. 215.
  7. ^ Premchand, Manek (30 October 2024). And The Music Lives On. Notion Press. p. 32. ISBN 979-8-89588-691-5.
  8. ^ FilmIndia (1949). New York The Museum of Modern Art Library. Bombay. 1949. p. 139.{{cite book}}: CS1 maint: others (link)
  9. ^ Rangoonwalla, Firoze; Das, Vishwanath (1970). Indian Filmography: Silent & Hindi Films, 1897-1969. J. Udeshi. p. 228.
  10. ^ Collections. Update Video Publication. 1991. p. 57.
  11. ^ FilmIndia (1949). New York The Museum of Modern Art Library. Bombay. 1949. p. 214.{{cite book}}: CS1 maint: others (link)
  12. ^ Rangoonwalla, Firoze; Das, Vishwanath (1970). Indian Filmography: Silent & Hindi Films, 1897-1969. J. Udeshi. p. 274.
  13. ^ Reuben, Bunny (1993). Follywood Flashback: A Collection of Movie Memories. Indus. p. 119. ISBN 978-81-7223-106-4.
  14. ^ Rangoonwalla, Firoze; Das, Vishwanath (1970). Indian Filmography: Silent & Hindi Films, 1897-1969. J. Udeshi. p. 253.
  15. ^ Division, Publications. LEGENDS OF INDIAN SILVER SCREEN. Publications Division Ministry of Information & Broadcasting. ISBN 978-81-230-2116-4.
  16. ^ Selvan, M. Ponnein (2015). Legends of Indian Silver Screen: The Winners of Dadasaheb Phalke Award (1992-2014). Publication Division, Ministry of Information and Broadcasting, Government of India. ISBN 978-81-230-2039-6.
  17. ^ a b c Patel, Baburao (1952). Filmindia. Filmindia Publications. p. 25.
  18. ^ a b Khatun, Nadira (2024). Postcolonial Bollywood and Muslim Identity: Production, Representation, and Reception. Oxford University Press. p. 50. ISBN 978-0-19-889101-7.
  19. ^ Manṭo, Saʻādat Ḥasan; Jalal, Hamid (2001). A Wet Afternoon: Stories, Sketches, Reminiscences. Alhamra. p. 627. ISBN 978-969-516-040-4.
  20. ^ Hasan, Khalid (1984). Scorecard. Wajidalis. p. 22.
  21. ^ FilmIndia (1946). New York The Museum of Modern Art Library. Bombay. 1946. p. 682.{{cite book}}: CS1 maint: others (link)
  22. ^ FilmIndia (1948). New York The Museum of Modern Art Library. Bombay. 1948. p. 718.{{cite book}}: CS1 maint: others (link)