Christian Gottlieb Kratzenstein Stub
Christian Gottlieb Kratzenstein Stub (15 August 1783 – 24 July 1816), also written Kratzenstein-Stub, was a Danish Golden Age painter. He is primarily known for his mythological compositions, which were popular in Denmark during his lifetime.[1]
Biography
Early life and education
Stub was born in Copenhagen in 1783. He was the son of Otto Frederik Stub (1753–1827), an officer in the Royal Danish Navy, and Louise Elisabeth née Kratzenstein (1757–1844). He adopted the surname of his maternal grandfather, Professor Christian Gottlieb Kratzenstein. Following his grandfather's death in 1795, Stub attended Salzmann's school near Gotha, where he showed an early artistic talent for wax figure sculptures.[2]
He returned to Copenhagen and passed the matriculation exam in 1802 with distinction. Although an inheritance initially led him to study mechanics and hydraulics, he soon transitioned to fine art. After briefly studying under Nicolai Abildgaard, Stub chose to continue his artistic development largely as self-taught.[2]
France and Italy
To further his artistic education, Stub traveled to France and Italy in 1809. In Paris, he was influenced by François Gérard, and in Rome by Bertel Thorvaldsen. He completed the painting Cupid with the butterfly in 1810 during his Italian stay.[2]
Return to Denmark
Returning to Copenhagen in 1811, Stub married and began producing lively portraits, primarily depicting Copenhagen’s elite. He also focused on mythological compositions, especially themes from Ossian's poetry.[2][3][4] Although many of his compositions remained sketches, he completed notable works like Ossian and Alphin's son and Hother and the three forest nymphs, earning membership at the Danish Academy.[2]
Death
Stub's health deteriorated after the death of his daughter. Suffering from depression and reliant on music to paint, he contracted tuberculosis in 1816 and died at Kalundborg Ladegård. He was buried at St. Olai’s Cemetery, Kalundborg.[2][5]
Appreciation of his art
Stub's works were highly praised during his lifetime for their emotional beauty and skilled allegory, admired notably by Friederike Brun. His paintings were often compared to those of Asmus Jacob Carstens, reflecting lyrical beauty and sentimental charm.[2]
Gallery
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Alkyone waits in vain.
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Marie Sophie Frølich, née de Coninck (1814).
References
- ^ "Christian Gottlieb Kratzenstein Stub". Museum-Digital. Retrieved 19 July 2025.
- ^ a b c d e f g Bricka 1905.
- ^ Okun, Henry (1967). "Ossian in painting". Journal of the Warburg and Courtauld Institutes. 30 (1): 327–356. doi:10.2307/750749. JSTOR 750749. S2CID 195003210.
- ^ Celenza, Anna H. Harwell (1998). "Efterklange Af Ossian: The Reception of James Macpherson's 'Poems of Ossian' in Denmark's Literature, Art, and Music". Scandinavian Studies. 70 (3): 359–396. JSTOR 40920065.
- ^ "Christian Gottlieb Kratzenstein Stub". gravsted.dk (in Danish). Retrieved 27 July 2023.
Sources
- Bricka, Carl Frederick (1905). "Kratzenstein-Stub, Christian Gottlieb". Dansk biografisk Lexikon.
- Weilbach, Philip (1878). "Christian Gottlieb Kratzenstein Stub". Weilbachs Kunstnerleksikon.
External links
- Artworks by C.G. Kratzenstein Stub at SMK.Open